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	<title>IAAC Blog &#187; MP4. Contextualizing</title>
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		<title>Contextualizing</title>
		<link>http://legacy.iaacblog.com/blog/2010/contextualizing-digital-fabrication-methods-devices-and-emergent-material-formations/</link>
		<comments>http://legacy.iaacblog.com/blog/2010/contextualizing-digital-fabrication-methods-devices-and-emergent-material-formations/#comments</comments>
		<pubDate>Tue, 11 May 2010 12:45:35 +0000</pubDate>
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				<category><![CDATA[MP4. Contextualizing]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[contextualizing]]></category>
		<category><![CDATA[instrumentalization]]></category>

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		<description><![CDATA[Contextualizing :digital fabrication methods, devices, and emergent material formations This master course framework aims at identifying project-specifi c, theoretical key concepts that lure behind individual approaches and scrutinize and clarify their critical agenda within the projects’ specifi c cultural milieus of to-be-defi ned social and environmental contexts. Our group will address projects that have constructed [...]]]></description>
				<content:encoded><![CDATA[<p>Contextualizing :digital fabrication methods, devices, and emergent material formations</p>
<p>This master course framework aims at identifying project-specifi c, theoretical<br />
key concepts that lure behind individual approaches and scrutinize and clarify<br />
their critical agenda within the projects’ specifi c cultural milieus of to-be-defi<br />
ned social and environmental contexts. Our group will address projects that<br />
have constructed their conceptual framework around the subject of digital<br />
production. It is open to any students interested in that subject, or those who<br />
have decided to extend their research within the (FAB)BOTS Digital Tectonics<br />
Research Studio.<br />
The intention of the course is to contextualize and instrumentalize fabrication<br />
work on two levels: a) to critically refl ect on it from within theoretical notions<br />
of architectural and cultural discourse, and b) to actualize it within concrete<br />
geographical, social, political, and economic environments.<br />
Digital design and fabrication tools emerged in the 1990’s and was paralleled<br />
with the introduction of Deleuze-Guattarian philosophy in Anglo-Saxon circles<br />
of architectural theory. Common to both is that they mark a paradigm<br />
shift from essentialist thought (based on notions of diff erence in relation to<br />
absolute concepts) to a thinking that embraces an understanding of diff erence<br />
grounded within itself, within its own logic of diff erentiation.</p>
<p>Yet while Deleuzian ontology of becoming emerged out of a tradition of<br />
political critique and activism, its typical appropriation in architectural<br />
circles in what could be called the pre-crisis years of late 1990’s and early<br />
2000’s mostly stripped off its socio-political content and focused entirely<br />
on issues supporting productive technique rather than critical agenda.<br />
Within today’s post-crisis context, it seems timely to re-contextualize the<br />
fascinating cutting-edge advancements of digital fabrication within a<br />
culturally grounded critical and theoretical agenda. For this, a theoretical<br />
framework with texts by Gilles Deleuze, Felix Guattari, Sanford Kwinter,<br />
Manuel De Landa, Bruno Latour and Peter Sloterdijk will be introduced<br />
to, discussed with the participants, and instrumentalized for the development<br />
of the individual thesis work.</p>
<p>Team: Olaf Gipser</p>
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