Open Thesis Fabrication 2014 // Applied Research Program

Monday, 19th of January 2015 // 16h00 – 19h00, IaaC Auditorium

Advisors:

Silvia Brandi

Alexandre Dubor

Luis Fraguada

Jury:

Areti Markopoulou – IAAC Academic Director

Lucía Pérez Cerezo – ASCAMM

Josep Maria Serra – Santa&Cole

Toni Cumella – Cumella Cerámica

Paolo Bombelli – University of Cambridge

Collaborative Companies:

ASCAMM

Cumella Cerámica

Santa&Cole

Breinco

Cricursa

The Pylos Research project, developed by IAAC Fabrication Researcher Sofoklis Giannakopoulos, supervised by Areti Markopoulou, with the Robotic Supervision of Alexandre Dubor, is currently being exhibited in the Onassis Cultural Centre in Athens as part of the 3D Printing Exhibition ”An exhibition from the future… now”.

3-D printing, of everything from houses to hearts and pretty much all you can imagine in-between, is the coming revolution. And not only for industry, but culture and creativity too.

In the first major exhibition in Greece dedicated entirely to this amazing technology, more than 100 pieces by luminaries of Art, Architecture, Fashion, Science, and Product design combine to hint at the transformed commercial, public and private spheres of tomorrow.

In the first stages of the Pylos research project a new protocol has been set up towards the investigation of the material chosen, soil, and the relative science, both physical and chemical, connected to this material.

Earth, or Soil, as a construction material, has been used since Neolithic times. The advantages of an earth – soil structure are primarily related to both environment and economy, being both secure and environmentally friendly. These constructions also offer the benefits of natural insulation, fire protection, air circulation and more, with regards to their comparison to conventional building techniques and typologies.

The project focused on the behavior of the soil when mixed with other ingredients, towards a better understanding of the material and potential composites. Each sample developed showed different behaviors, all of which have been recorded, also through the testing of their tensile strengths, to then compare these results towards the development of a prime material. So as to fulfill this phase of the research, a crash machine was developed and built. Graphs were then implemented showing the results of the relative material testing, generating a comprehensive analysis of the materials and results.

The interest to develop additive manufacturing, specifically 3d printing, as a construction method, moreover when printing with natural materials, particularly in this time of economic and environmental crisis, is undeniable. The material results obtained through the development of the first phase of this research project are extremely promising, and consequently push the interest towards the further development of the machine itself.

Ceràmica Cumella

The family workshop CERÀMICA CUMELLA, founded in 1880 in Granollers (Barcelona), originally devoted
to the manufacturing of traditional ceramics and pottery for daily use, has finally become the central core
of an intense public and professional activity. Ceràmica Cumella has lately experienced a notorious increase
in the industrial production of serial pieces -floorings, socles, lattices, coatings, steps, modular elementsundoubtedly
specific in many cases, since they are ordered pieces. Cumella with the conviction of a necessary
integration of technical tradition and innovative process, encouraging with a steady hand and continued
research, for example, on the definition of colours and the manufacturing of the corresponding glazes, both
for mechanical or manual applications; or on finding solutions on how to keep up with present technological
requirement. Toni Cumella spontaneously associates craftsmanship with serial production, personalization,
adaptability, history and culture, not necessarily by this order. He sees it all as a use of concepts, techniques
and processes so as to achieve a specific form of life.

Santa&Cole

For 28 years now, Santa & Cole has lived for industrial design, an art consisting of focusing on everyday
objects in order to seek a better use experience, thereby leading us to reflect upon material culture.
Santa&Cole generate elements of domestic and urban furniture and lighting, plant elements (living matter)
and books (likewise alive). A range that is only apparently dispersed, converging upon a single concern: not
to accumulate, but rather to select; not to enjoy quantity, but rather quality. Santa & Cole is organized around
four core themes : 1. Strategy, Structure and Knowledge, 2. Editing Policy, 3. The Importance of Design for
Santa & Cole and 4. Policy Knowledge Management.