The Pylos Research project, developed by IAAC Fabrication Researcher Sofoklis Giannakopoulos, supervised by Areti Markopoulou, with the Robotic Supervision of Alexandre Dubor, is currently being exhibited in the Onassis Cultural Centre in Athens as part of the 3D Printing Exhibition ”An exhibition from the future… now”.

3-D printing, of everything from houses to hearts and pretty much all you can imagine in-between, is the coming revolution. And not only for industry, but culture and creativity too.

In the first major exhibition in Greece dedicated entirely to this amazing technology, more than 100 pieces by luminaries of Art, Architecture, Fashion, Science, and Product design combine to hint at the transformed commercial, public and private spheres of tomorrow.

In the first stages of the Pylos research project a new protocol has been set up towards the investigation of the material chosen, soil, and the relative science, both physical and chemical, connected to this material.

Earth, or Soil, as a construction material, has been used since Neolithic times. The advantages of an earth – soil structure are primarily related to both environment and economy, being both secure and environmentally friendly. These constructions also offer the benefits of natural insulation, fire protection, air circulation and more, with regards to their comparison to conventional building techniques and typologies.

The project focused on the behavior of the soil when mixed with other ingredients, towards a better understanding of the material and potential composites. Each sample developed showed different behaviors, all of which have been recorded, also through the testing of their tensile strengths, to then compare these results towards the development of a prime material. So as to fulfill this phase of the research, a crash machine was developed and built. Graphs were then implemented showing the results of the relative material testing, generating a comprehensive analysis of the materials and results.

The interest to develop additive manufacturing, specifically 3d printing, as a construction method, moreover when printing with natural materials, particularly in this time of economic and environmental crisis, is undeniable. The material results obtained through the development of the first phase of this research project are extremely promising, and consequently push the interest towards the further development of the machine itself.

IAAC Fall Lecture Series 2014

Monday 1st of December 2014

Aaron Betsky

Lecture: The Architecture of Hunting and Gathering

@ 19.30, IAAC Auditorium

Open to the Public

AARON BETSKY

Aaron Betsky is a critic, curator, educator, lecturer, and writer on architecture and design, who, from 2006 to January 2014, was the director of the Cincinnati Art Museum. From 2001 to 2006 Betsky served as director of the Netherlands Architecture Institute in Rotterdam, Netherlands.

He graduated fromYale University with a B.A. in History, the Arts and Letters and a M.Arch. He then taught at Cal Poly Pomona and the University of Cincinnati from 1983 to 1985 and worked as a designer for Frank Gehry and Hodgetts & Fung. From 1995 to 2001 Betsky was Curator of Architecture, Design and Digital Projects at the San Francisco Museum of Modern Art before moving back to The Netherlands.

Betsky has written numerous monographs on the work of late 20th century architects, including I.M. Pei, UN Studio, Koning Eizenberg Architecture, Inc., Zaha Hadid and MVRDV, as well as treatises on aesthetics, psychology and human sexuality as they pertain to aspects of architecture.

Betsky was named as the director of the 11th Exhibition of the Venice Biennale of Architecture in 2008.

This year IaaC was invited to participate in the Festival des Architectures Vives (FAV), an ephimeral architecture festival that takes place in the historical centre of Montpellier. FAV occupies squares and spaces that are not usually open to the city for one week, allowing people to discover these spaces through the paralell discovery of ephimeral architectures proposed by emerging young architecture studios, as well as an invited university – this year IaaC.

The IaaC installation proposes to create a space within space, a pavilion in a courtyard, to enhance the intimacy and privacy suggested by the existing courtyard. The pavilion is a textile construction, generated through the use of the least possible structural elements, floating in equilibrium like a sheet strewn in the wind. The structure is lightweight and collapsable, designed and built by students in the framework of the Experimental Structures academic course in the Masters in Advanced Architecture course. When installed in the courtyard, the pavilion develops its interactive potential through a sensoral experience. Entering this new living space in the courtyard and touching the fabric walls, the courtyard takes life under the form of a soundscape from the outside world. The textile structure reacts to the users incorporating the senses of sight, touch and hearing, finally evoking a diverse reality.

The installation is realised in collaboration with Serge Ferrari and the European Art Science and Technology Network.

For more information on the programme and installation: http://bit.ly/IAACatFAV

Fathoms, a unit of length equal to six feet (1.8 metres), chiefly used in reference to the depth of water. The original sense was ‘something which embraces’, ‘the outstretched arms’; hence, a unit of measurement based on the span of the outstretched arms….

John Palmesino proposes the term “Fathoms” to question how we approach architecture, intended as a comprehensive and transdisciplinary field:

What is our time? How do we measure it?

We are confronting the rise, extension, deployment and stabilisation of a series of new spaces: territories are reshaped, political connections cut through, agricultural structures reshaped, cities intensified, infrastructures severed and reorganised, resources accessed and exploited. A new series of human spaces is taking form at a dimension unprecedented, sweeping across existing relations, establishing new compounds and moulding new industrial and financial supply chains.

Architecture sets out to measure, sense, imagine and interact with these unfolding form-generating processes: it engages with them, it stabilises them, it amplifies and sustains them, often with disruptive and dislocating outputs. Separation, segregation, disconnection, severance, containment, exclusion are operative architectural forces that are reshaping human activities in our time; as well as reaching out, interconnecting, circulating, globalising, linking and spinning. Do we have the courage to think architecture at the intersection and in interaction with these new, vast, coercive and consistence forms? Can architecture re-imagine them? Dislodge their brutality?

Before the Lecture, both John and Ann-Sofi were guest crits, along with Maite Bravo, in the mid-term presentation of the Emergent Territories Research Studio, led by Willy Muller, with Pablo Ros and Jordi Vivaldi.

Sense-It explores the potentials of materially-directed generative fabrication through an integration of research in robotic sensing, plastic deposition, and generative code. This approach tests the limits of a machine-material-sensor interface to act autonomously, without direct adjustments from an observing operator, and capitalizes on sensor responsiveness and material agency to produce unpredictable outcomes. This workshop moves away from optimization and efficiency as the primary drivers of digital fabrication in pursuit of a model where materials assume maximum agency in the fabrication process. Feedback loops between machining parameters, real-time sensors, and plastic deposition will infuse the workshop results with both intelligence and an intentional instability, where the outcomes can be guided but never fully predicted.

The Workshop participants are working in groups of three to four with Arduino microcontrollers, basic electronic components, and sensors to developing their own logic for the workshop’s unique sensor-deposition workflow. Manipulating simple code in Kuka Robot Language (KRL) and Arduinos, each group is testing physical deposition patterns using the sensor of their choice. Through design strategies comprised of small adjustments to the workflow’s many parameters—robot movements, speed of actuation, limits of sensor data, etc.—catalogue of possible outcomes is being created.

Mr Brillembourg presented Urban-Think Tank (U-TT), an interdisciplinary design practice dedicated to high-level research and design on a variety of subjects, concerned with contemporary architecture and urbanism. The philosophy of U-TT is to deliver innovative yet practical solutions through the combined skills of architects, civil engineers, environmental planners, landscape architects, and communication specialists. U-TT’s work concerns both theoretical and practical applications within architecture and urban planning. Working in global contexts by creating bridges between first world industry and third world, informal urban areas, they focus on the education and development of a new generation of professionals, who will transform cities in the 21st century.

This was elaborated during the lecture through the presentation of a series of key projects regarding Public Buildings, Infrastructure and Housing projects, with the aim of confronting realities to create realisable utopias, pushing designers to step out of their comfort zones and onto the ground, giving up the concept of “signature architecture”, and ultimately designing structures that will be finished by others, according to the specific needs at hand, transforming architecture into a moderator.

Thursday 8th of May 2014

Alfredo Brillembourg
Lecture: Radical Urbanism: A search for a new architecture

@ 19.30, IAAC Auditorium
Open to the Public

ALFREDO BRILLEMBOURG
Alfredo Brillembourg was born in New York in 1961. He received his Bachelor of Art and Architecture in 1984 and his Master of Science in Architectural Design in 1986 from Columbia University. In 1992, he received a second architecture degree from the Central University of Venezuela and began his independent practice in architecture. In 1993 he founded Urban-Think Tank (U-TT) in Caracas, Venezuela. Since 1994 he has been a member of the Venezuelan Architects and Engineers Association and has been a guest professor at the University Jose Maria Vargas, the University Simon Bolivar and the Central University of Venezuela. Starting in 2007, Brillembourg has been a guest professor at the Graduate School of Architecture and Planning, Columbia University, where he co-founded the Sustainable Living Urban Model Laboratory (S.L.U.M. Lab) with Hubert Klumpner. Along with Hubert Klumpner, Brillembourg holds the chair for Architecture and Urban Design at the Swiss Institute of Technology (Eidgenossische Technische Hochschule, ETH) in Zurich, Switzerland. As co-principle of U-TT, Brillembourg has received the 2010 Ralph Erskine Award, the 2011 Holcim Gold Award for Latin America, 2012 Venice Biennale of Architecture Golden Lion and the 2012 Holcim Global Silver Award for innovative contributions to ecological and social design practices.

image credits: Urban-Think Tank Project: “Grotao Community Centre”

Philippe Rahm is architect, principal in the office of Philippe Rahm architectes, based in Paris, France. His work, which extends the field of architecture from the physiological to the meteorological, has received an international audience in the context of sustainability. In 2002, he was chosen to represent Switzerland at the 8th Architecture Biennale in Venice, and was one of the 25 Manifesto’s Architects of Aaron Betsky’s 2008 Architectural Venice Biennale. He is nominee in 2009 for the Ordos Prize in China and in 2010 and 2008 for the International Chernikov Prize in Moscow where he was ranked in the top ten. He has participated in a number of exhibitions worldwide (Archilab, Orléans, France 2000; SF-MoMA 2001; CCA Kitakyushu 2004; Centre Pompidou, Paris, 2003-2006 and 2007; Manifesta 7, 2008; Louisiana museum, Denmark, 2009; Guggenheim Museum, New-York 2010). In 2007, he had a personal exhibition at the Canadian Centre for Architecture in Montreal. Mr. Rahm was a resident at the Villa Medici in Rome (2000). He was Headmaster at the AA School in London in 2005-2006, Visiting professor at the Mendrisio Academy of Architecture in Switzerland in 2004 and 2005, at the ETH Lausanne in 2006 and 2007, at the School of Architecture of the Royal Danish Academy of Fine Arts of Copenhagen in 2009- 2010, in Oslo at the AHO in 2010-2011. From 2010 to 2012, he held the Jean Labatut Professorship in Princeton University, USA. He has lectured widely, including at Harvard School of Design, Cooper Union, UCLA and the ETH Zürich. He is working on several private and public projects in France, Taiwan, Italy and Germany. His recent work includes in 2011 the first prize for the 69ha Taichung Gateway Park in Taiwan, an office building of 13000 m2 in La Défense in France for the EPADESA; a convective condominium for the IBA in Hamburg, Germany; the white geology, a stage design for contemporary art in the Grand-Palais on the Champs-Elysées in Paris in 2009 and a studio house for the artist Dominique Gonzalez-Foerster in 2008. Monographic books include Physiological architecture published by Birkhaüser in 2002, Distortions, published by HYX in 2005, Environ(ne)ment: Approaches for Tomorrow, published by Skira in 2006 and Architecture météorologique published by Archibooks in 2009.

IaaC was represented by Rodrigo Rubio tonight at the Roca Gallery Barcelona that hosted a conference regarding Self Sufficient Energy, and in particular the Case of the Solar Decathlon in Catalonia. The evening was kicked off by Georg W. Reinberg who gave an introduction entitled “Towards an efficient and productive Architecture”. A series of projects and prototypes were then presented among which the Fab Lab House developed in IaaC for the Solar decathlon 2010 held in Madrid. Other projects presented included: Torsten Masseck (Low3); Jordi Mitjans, Adrià Vilajoana, Bernat Colomé, Martí Obiols, Guillem Ramon Pernau, Sara Ferran, (ETSAV).

This was the first session of a Series of conferences that will be held at the Roca Gallery Barcelona all regarding the theme of Efficiency in Architecture.