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	<title>Advanced Architecture Concepts &#187; dimitriosaidonis</title>
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		<title>Deleuze and the genesis of form</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/2013/11/deleuze-and-the-genesis-of-form/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/2013/11/deleuze-and-the-genesis-of-form/#comments</comments>
		<pubDate>Sat, 23 Nov 2013 18:04:01 +0000</pubDate>
		<dc:creator>dimitriosaidonis</dc:creator>
				<category><![CDATA[Digital Logics - Critical Readings]]></category>
		<category><![CDATA[Dimitrios Aidonis]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/?p=1230</guid>
		<description><![CDATA[The essay written by Manuel DeLanda in discusses the genesis of form, according to the philosophy of Gilles Deleuze. Matter, for Deleuze, has spontaneous behavior (inertia) and the resources involved in the genesis of form are immanent to matter itself. Examples of form genesis in nature help to understand that the two factors governing the [...]]]></description>
				<content:encoded><![CDATA[<p>The essay written by Manuel DeLanda in discusses the genesis of form, according to the philosophy of Gilles Deleuze. Matter, for Deleuze, has spontaneous behavior (inertia) and the resources involved in the genesis of form are immanent to matter itself. Examples of form genesis in nature help to understand that the two factors governing the creation of the differentiated instantiations are mathematics and thermodynamics. Difference in “intensity” provides the energy flow from which form emerges. The two basic types of structures, for Deleuze, are the “strata” and the “self-consistent aggregates”, or the “tree” and the “rhizomes”. Both result in isomorphic actual forms, but the one has to do with the synthesis of homogenous elements while the other explains the consolidation of heterogeneous elements. These principles that organize socio-technics, biological and molecular structures can be distilled into diagrams that can be used to govern virtual meshworks and other genesis.</p>
<p>All texts of the assignment deal, in a way, with the creation of form. Deleuze’s philosophical study on rhizomes explains their form structure principles. Their creation and evolution seems random, but follows certain notable rules. Thomson investigates shapes and their alternations. Forms found in nature can be analyzed on grid systems and their variations can be categorized and reproduced by specific mathematical transformations. Johnson examines ant colonies and their strategy of creation. Each ant has a particular role in the formation of an overall complex structure. Negroponte searches for the ideal architectural design tool. Almost prophetically, he envisions a Machine that will work with the architect and will calculate anything he himself is not able to. Finally, Schumaker talks about parametrics as an architectural style. How pure mathematic calculations can lead to the creation of complex forms and why this technology has such impact on contemporary architecture.</p>
<p>Form creation in nature can be seen emerging in many different, yet specific morphological patterns. These patterns vary, transform, coexist and evolve, and are found in all life forms. From simple to understand structures, like the nautilus shell, to complex ones, like a tree, patters are ubiquitous. As digital logics deal with parametrics, these patters could be studied, reproduced, simplified and explained with the help of digital tools. This analysis could be an interesting field of study that would explain why certain patterns best suit specific functions and climates. This can inspire us on their application in architecture, so that a choice of a pattern that will govern the architectural design of a building can be a matter, not only of aesthetics, but also of its function and position.</p>
<p style="text-align: center"><a href="http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/Paul-sharits-Study-for-Frozen-Film-Frame-of-Frame-Study-15-1975.jpg"><img class="aligncenter size-large wp-image-1231" alt="Paul sharits Study for Frozen Film Frame of Frame Study 15, 1975" src="http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/Paul-sharits-Study-for-Frozen-Film-Frame-of-Frame-Study-15-1975-730x567.jpg" width="730" height="567" /></a><em>Paul Sharits &#8211; Study for Frozen Film Frame of Frame Study 15, 1975 (source: <a href="http://www.artslant.com/">http://www.artslant.com</a>)</em></p>
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		<title>Saint Jerome</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/2013/11/saint-jerome/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/2013/11/saint-jerome/#comments</comments>
		<pubDate>Sat, 09 Nov 2013 18:56:24 +0000</pubDate>
		<dc:creator>dimitriosaidonis</dc:creator>
				<category><![CDATA[Relational Logic - Critical Readings]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/?p=276</guid>
		<description><![CDATA[“Saint Jerome – The Desert … The Study”, written by Alison Smithson, is an analysis of the allegories derived from the depictions of Saint Jerome during the Renaissance. The Saint is situated in three different environments, according to the chronological situation of the painting. In the early Renaissance he is seen living in the desert, [...]]]></description>
				<content:encoded><![CDATA[<p>“<i>Saint Jerome – The Desert … The Study</i>”, written by Alison Smithson, is an analysis of the allegories derived from the depictions of Saint Jerome during the Renaissance. The Saint is situated in three different environments, according to the chronological situation of the painting. In the early Renaissance he is seen living in the <i>desert</i>, later on in a <i>study</i> and during the late Renaissance period, he lives in the <i>grotto</i>. Each one of these situations come with an allegory, which reveals interesting architectural manifestations.</p>
<p>First, in the <i>desert</i>, the Saint is totally exposed to nature. He is in the “wildness”, unable to defend himself against the natural phenomena, but at the same time “pure”, “naked” and in full appreciation of nature. On the other hand, in the <i>study</i>, St. Jerome benefits from the conveniences the city provides, he is protected and can dedicate his time on studying. Finally, in the <i>grotto</i>, the Saint has found a place where he can combine both the previous: He is still in nature, but inside a protected enclave were he can study. By studying the two extremes and the consequent combination, we can compare to our present living environments.</p>
<p>All of the assignment texts deal with the relationship between the human built environment and nature, in terms of questioning why they sometimes end up being so separate and distinct. Concepts as: enclaves, scale, atmosphere, interaction, sustainability, opacity, morphology, blending and vertical growth are explored, in comparison to how each of these are interpreted in nature. Nature has always been successfully incorporating all of the above concepts in its life forms and therefore is, as it should be, a continuous source of knowledge and inspiration for architecture, as well as the very basis of it. As society tends to be more and more dependent and driven by economy, architects should be skeptical about this situation’s impact on the fundamental notions that instruct architectural creation. The primitive purpose of architecture has evolved along with society, but the basis is still solid. Alterations in mentality should invigorate rather than shake these foundations.</p>
<p style="text-align: left">By reading, listening and discussing these interconnected topics, and after personal thinking, I was left with a question, which could potentially be subject of further research: I understand that architecture can create new buildings that consider the values delivered from the discussion, but what about the existing ones? Are there ways of re-thinking these complex relationships between humans and their surroundings and incorporating these values in the existing city, as a whole, or in parts of it? What can be done to improve our everyday experience as citizens, considering what we analyzed? Could there be other types of intervention, apart from constructions?Is there a way of revitalizing a city from within?</p>
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<p style="text-align: center"><a href="http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/sketch0.png"><img class="aligncenter size-large wp-image-336" alt="sketch0" src="http://legacy.iaacblog.com/maa2013-2014-advanced-architecture-concepts/files/2013/11/sketch0-730x117.png" width="730" height="117" /></a></p>
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