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	<title>Digital Fabrication &#187; Stephanie Bashir</title>
	<atom:link href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/author/stephaniebashir/feed/" rel="self" type="application/rss+xml" />
	<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication</link>
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		<title>Remolino</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/remolino/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/remolino/#comments</comments>
		<pubDate>Fri, 06 Dec 2013 20:32:59 +0000</pubDate>
		<dc:creator>Stephanie Bashir</dc:creator>
				<category><![CDATA[Michele Braidy]]></category>
		<category><![CDATA[Rasha Sukkarieh]]></category>
		<category><![CDATA[Stephanie Bashir]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=2293</guid>
		<description><![CDATA[Given the specific edge conditions and water channeling requirements, our main objectives for this exercise were to respect these conditions while creating a decentralized tile pattern that would break the tile boundaries to create a carpet effect. The twisting transforms lines into curves, these would continue across adjacent tiles to ensure the “carpet effect”. The [...]]]></description>
				<content:encoded><![CDATA[<p><em><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/final-diagram.jpg"><img class="aligncenter size-large wp-image-2294" alt="final diagram" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/final-diagram-730x374.jpg" width="730" height="374" /></a></em>Given the specific edge conditions and water channeling requirements, our main objectives for this exercise were to respect these conditions while creating a decentralized tile pattern that would break the tile boundaries to create a carpet effect. The twisting transforms lines into curves, these would continue across adjacent tiles to ensure the “carpet effect”. The edges are lofted towards the center having a gentle slope channeling water towards the tile’s extremities and out along the joints.</p>
<p><em><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/tile-render.jpg"><span id="more-2293"></span><img class="size-large wp-image-2302 aligncenter" alt="tile render" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/tile-render-730x328.jpg" width="730" height="328" /></a></em></p>
<p style="text-align: center"> <em>The result is an elegant tile having a hypnotic visual effect once multiplied. </em></p>
<p style="text-align: center"><em><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/render-tile-2.jpg"><img class="size-large wp-image-2303 aligncenter" alt="render tile 2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/render-tile-2-730x328.jpg" width="730" height="328" /></a></em></p>
<p style="text-align: center"><em>Making it happen was another critical part of the process. Special care was given to coat the mold and treat the concrete.<em> </em></em></p>
<p style="text-align: center"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/df-ex-3-part-2.jpg"><img class="aligncenter size-large wp-image-2310" alt="df ex 3 part 2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/df-ex-3-part-2-730x516.jpg" width="730" height="516" /></a></p>
<p style="text-align: center">
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		<item>
		<title>Acts on Tracks</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/acts-on-tracks/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/acts-on-tracks/#comments</comments>
		<pubDate>Thu, 05 Dec 2013 23:29:17 +0000</pubDate>
		<dc:creator>Stephanie Bashir</dc:creator>
				<category><![CDATA[Kateryna Rogynska]]></category>
		<category><![CDATA[Novak Kijac]]></category>
		<category><![CDATA[Stephanie Bashir]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=2243</guid>
		<description><![CDATA[Catenary curve is the curve that an idealized hanging chain or cable assumes under its own weight when supported only at its ends. While freely hanging catenaries have more often than not elastic physical properties, we decided to explore the abilities of fiberglass rods acting as catenary arches, partially mimicking Gaudi’s research. Fiberglass rods, despite their small cross-sectional diameter, [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/main.jpg"><img class="alignnone size-large wp-image-2274" alt="main" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/main-730x486.jpg" width="730" height="486" /></a></p>
<p>Catenary curve is the curve that an idealized hanging chain or cable assumes under its own weight when supported only at its ends. While freely hanging catenaries have more often than not elastic physical properties, we decided to explore the abilities of fiberglass rods acting as catenary arches, partially mimicking Gaudi’s research.</p>
<p>Fiberglass rods, despite their small cross-sectional diameter, have an inherent ability to return to their original flattened state after mechanical deformation has been applied to them. Thus, to make this experiment possible we attempted to develop the above mentioned side supports of the arch and make them kinetics, to further allow unconstrained movement of the arch along its longitudinal axis.</p>
<p><span id="more-2243"></span>The most efficient mechanism that facilitates the “flattening” movement of the arch is the hinge-joint. Due to the high precision of the 3D-printing techniques we were able to create a kinetic joint that consists of a “plug-fork” element that fits into the base, a pin, and a top “hollow cone” element that houses one end of the fiberglass rod.  The pin connection allows relative rotation of the two elements only along the axis of the pin-hole. The two holes of the “fork” and “cone” assembly are bolted and can be considered as fully constrained. Having an identical 3D-printed joint assembly at each end of the 30 cm long fiberglass rod allowed for a numerous number of designs and various configurations.</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/up01.jpg"><img class="alignnone size-large wp-image-2271" alt="up01" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/up01-730x486.jpg" width="730" height="486" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/down001.jpg"><img class="alignnone size-large wp-image-2272" alt="down001" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/down001-730x486.jpg" width="730" height="486" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/down01.jpg"><img class="alignnone size-large wp-image-2273" alt="down01" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/down01-730x486.jpg" width="730" height="486" /></a></p>
<p>_STATE 01_ VERTICAL_all rods are in a vertical position. The bending degree of each rod is defined by the pre cut tracks and slots on the plywood base. A series of 18 rods takes on 3 degrees of extremes formed by the “colonnade” of catenary arches, each differing with vertical projection vector, while the number of rods remains the same.</p>
<p>_STATE 02_ FALL DOWN_ all rods fall flat onto the board, following the domino effect. This motion is possible due to the hinge nature of the 3D-printed joints that serve as connectors between the rods and base.</p>
<p>_STATE 03_ OVERLAPPING CATENARY_ this state emphasizes the elegant interweaving nature of the catenary arches when the hinge joint is being placed in every other neighboring slots rather than the one immediately next to it. Thus, we were able to explore the combination of both STATES 01+02, with an additional twisted fall down movement of the arch series.</p>
<p>The grasshopper Catenary definition was used to simulate different configurations made possible by this component system of 18 rods and 36 joints - and a board with tracks!</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/westdx.jpg"><img class="alignnone size-large wp-image-2265" alt="westdx" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/westdx-730x289.jpg" width="730" height="289" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/GIF-digi-fab-XS.gif"><img class="aligncenter size-full wp-image-2280" alt="GIF-digi-fab-XS" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/GIF-digi-fab-XS.gif" width="648" height="432" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/small-0003.jpg"><img class=" wp-image-2277 alignleft" alt="small 0003" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/small-0003-150x150.jpg" width="220" height="220" /></a> <a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/0002.jpg"><img class=" wp-image-2275 alignleft" alt="0002" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/0002-150x150.jpg" width="220" height="220" /></a> <a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/0001.jpg"><img class=" wp-image-2276 alignleft" alt="0001" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/0001-150x150.jpg" width="220" height="220" /></a></p>
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]]></content:encoded>
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		</item>
		<item>
		<title>Bifurcated_09</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/bifurcate_09/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/bifurcate_09/#comments</comments>
		<pubDate>Wed, 06 Nov 2013 22:36:01 +0000</pubDate>
		<dc:creator>Stephanie Bashir</dc:creator>
				<category><![CDATA[Natalie Alima]]></category>
		<category><![CDATA[Niel Jagdish Parekh]]></category>
		<category><![CDATA[Stephanie Bashir]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1002</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-12-second.jpg"><img class="alignnone size-large wp-image-988" alt="final rhino 12 second" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-12-second-730x516.jpg" width="730" height="516" /><img title="More..." alt="" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" /><img title="More..." alt="" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" /></a><span id="more-1002"></span></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/for-blog.jpg"><img alt="for blog" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/for-blog.jpg" width="763" height="537" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-11.jpg"><img class="alignnone size-large wp-image-992" alt="final rhino 11" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-11-730x516.jpg" width="730" height="516" /></a></p>
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