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	<title>Digital Fabrication &#187; Carlos Bausa Martinez</title>
	<atom:link href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/category/carlos-bausa-martinez/feed/" rel="self" type="application/rss+xml" />
	<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication</link>
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		<title>1906</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/1906/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/1906/#comments</comments>
		<pubDate>Wed, 04 Dec 2013 00:28:11 +0000</pubDate>
		<dc:creator>Ruxandra</dc:creator>
				<category><![CDATA[Carlos Bausa Martinez]]></category>
		<category><![CDATA[Novak Kijac]]></category>
		<category><![CDATA[Ruxandra Iancu Bratosin]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1761</guid>
		<description><![CDATA[The milling exercise aimed to get a better understanding of the CNCmilling machine by fabricating and casting a floor tile. The process included designing the unit and its cast, setting up the parameters for the CNC and ultimately fabricate the tile. In 1886 Jaume Escofet founded ESCOFET y FORTUNY, a pavement manufacturing company. Later it [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/milling-Converted.png"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/milling-Converted1.png"><img class="alignnone size-large wp-image-2359" alt="milling [Converted]" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/milling-Converted1-730x506.png" width="730" height="506" /></a></a>The milling exercise aimed to get a better understanding of the CNCmilling machine by fabricating and casting a floor tile. The process included designing the unit and its cast, setting up the parameters for the CNC and ultimately fabricate the tile.<a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1461152_558322974248997_1725455472_n.jpg"><img class="alignnone size-large wp-image-1748" alt="1461152_558322974248997_1725455472_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1461152_558322974248997_1725455472_n-730x334.jpg" width="730" height="334" /></a></p>
<p><span id="more-1761"></span>In 1886 Jaume Escofet founded ESCOFET y FORTUNY, a pavement manufacturing company. Later it became Escofet y Tejero and in 1988 they won the Barcelona World Trade Fair Gold Medal.In 1906 they started producing modernist hydraulic tiles. The tiles manufactured by Escofet in conjunction with renowned architects like Lluís Domènech i Montaner and Alexandre de Riquer. The most outstanding example is Antoni Gaudí&#8217;s Hexagonal Tile for the Pedrera building interiors. An adaptation of this model was used 90 years later to pave Barcelona&#8217;s Paseo de Gracia.</p>
<p><!--more-->Our design style is based on he typical tiles from Barcelona produced a century ago by the factories that rised in the industrial revolution.</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1471255_558323430915618_1910799729_n.jpg"><img class="alignnone size-large wp-image-1767" alt="1471255_558323430915618_1910799729_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1471255_558323430915618_1910799729_n-730x334.jpg" width="730" height="334" /></a></p>
<p>&nbsp;</p>
<p>The process started in Rhino, was developed with the help of Grasshopper, set up in RhinoCam and sent to the CNC milling machine. (milling time 2:07h)</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1470621_558324047582223_2065141963_n.jpg"><img class="alignnone size-large wp-image-1769" alt="1470621_558324047582223_2065141963_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1470621_558324047582223_2065141963_n-730x547.jpg" width="730" height="547" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1470384_558322910915670_275958683_n1.jpg"><img class="alignnone size-large wp-image-1770" alt="1470384_558322910915670_275958683_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1470384_558322910915670_275958683_n1-730x349.jpg" width="730" height="349" /></a></p>
<p>After the cast mould was finished, it was treated with sealer and vaseline and concrete was poured in. After taking care that all the air bubbles are out, the concrete was left to dry for about 6 to 7 hours. After the cast was removed from the mould, it was polished and put in place.</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1471298_558323037582324_913279193_n.jpg"><img class="alignnone size-large wp-image-1771" alt="1471298_558323037582324_913279193_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1471298_558323037582324_913279193_n-730x334.jpg" width="730" height="334" /></a></p>
<p>&nbsp;</p>
<p>&#8212;&#8212;- Ruxandra // Carlos // Novak &#8212;&#8212;-</p>
<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/8236_558326197582008_942700772_n-2.jpg"><img class="alignnone size-thumbnail wp-image-1772" alt="8236_558326197582008_942700772_n-2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/8236_558326197582008_942700772_n-2-150x150.jpg" width="150" height="150" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1002045_558326637581964_2026785459_n.jpg"><img class="alignnone size-thumbnail wp-image-1773" alt="1002045_558326637581964_2026785459_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1002045_558326637581964_2026785459_n-150x150.jpg" width="150" height="150" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1489293_558326517581976_2078912459_n.jpg"><img class="alignnone size-thumbnail wp-image-1776" alt="1489293_558326517581976_2078912459_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1489293_558326517581976_2078912459_n-150x150.jpg" width="150" height="150" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1479237_558323134248981_845838155_n.jpg"><img class="alignnone size-thumbnail wp-image-1778" alt="1479237_558323134248981_845838155_n" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1479237_558323134248981_845838155_n-150x150.jpg" width="150" height="150" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1426725_558326317581996_823042394_n-2.jpg"><img class="alignnone size-large wp-image-1774" alt="1426725_558326317581996_823042394_n-2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/1426725_558326317581996_823042394_n-2-730x547.jpg" width="730" height="547" /></a></p>
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		</item>
		<item>
		<title>XYZ Twirl</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/xyz-twirl/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/xyz-twirl/#comments</comments>
		<pubDate>Fri, 22 Nov 2013 16:21:53 +0000</pubDate>
		<dc:creator>Miguel Juarez</dc:creator>
				<category><![CDATA[Apostolos Marios Mouzakopoulos]]></category>
		<category><![CDATA[Carlos Bausa Martinez]]></category>
		<category><![CDATA[Miguel Angel Juarez Diazbarriga]]></category>
		<category><![CDATA[3d printing]]></category>
		<category><![CDATA[Advanced Architecture]]></category>
		<category><![CDATA[bending]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[joints]]></category>
		<category><![CDATA[MAA 2013-2014]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1592</guid>
		<description><![CDATA[XYZ Twirl The main idea for our joint is to create a tower and manipulate its form in real time in order to achieve several different structures. It is formed by 4 rods in the middle which are the sustain of the tower and allow it to move up and down; then, other 6 on [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center"><strong>XYZ Twirl</strong></p>
<p style="text-align: center"><img class="aligncenter  wp-image-1599" alt="Seven" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Seven.jpg" width="325" height="575" /></p>
<p>The main idea for our joint is to create a tower and manipulate its form in real time in order to achieve several different structures. It is formed by 4 rods in the middle which are the sustain of the tower and allow it to move up and down; then, other 6 on the outside, works as a all to create a structural &#8220;skin&#8221; or &#8220;facade&#8221;.<span id="more-1592"></span></p>
<p><img class="wp-image-1600 aligncenter" style="text-align: center" alt="Eight" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Eight.jpg" width="325" height="575" /></p>
<p>The joint is formed by three parts: The first one is the core which slide up and down using as a path the 4 rods in the middle. Then, because we wanted to have a 360 degrees organic movement of the outer rods, we created two components to allowed us the movement in the XY axis and in the YZ axis, like an increasing and decreasing living tower.</p>
<p><img class="wp-image-1595 alignnone" style="text-align: center" alt="Tree" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Tree.jpg" width="230" height="230" /><img class="wp-image-1593" alt="One" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/One.jpg" width="230" height="230" /><img class="wp-image-1596 alignnone" alt="Four" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Four.jpg" width="230" height="230" /></p>
<p>The joint is formed by 13 pieces; the central piece, which is the most important, is the one that allows us to assemble all the elements; then, there are 6 &#8220;U&#8221; pieces than provides the horizontal movement, that means in the XY axis. Finally, there are 6 &#8220;arms&#8221; or &#8220;legs&#8221; pieces that works in vertical movement, the YZ axis; all this configuration provides a movement of expansion and contraction to the entire structure.</p>
<p><img class="wp-image-1598 alignnone" alt="Six" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Six.jpg" width="230" height="230" /><img class="wp-image-1594" alt="Two" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Two.jpg" width="230" height="230" /><img class="wp-image-1597 alignnone" alt="Five" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Five.jpg" width="230" height="230" /></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Light is more</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/lightismore/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/lightismore/#comments</comments>
		<pubDate>Mon, 04 Nov 2013 17:31:21 +0000</pubDate>
		<dc:creator>Luca Gamberini</dc:creator>
				<category><![CDATA[Carlos Bausa Martinez]]></category>
		<category><![CDATA[Jose Roberto Diaz Braga]]></category>
		<category><![CDATA[Luca Gamberini]]></category>
		<category><![CDATA[Advanced Architecture]]></category>
		<category><![CDATA[barcelona]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[fablab]]></category>
		<category><![CDATA[fablabbcn]]></category>
		<category><![CDATA[iaac]]></category>
		<category><![CDATA[joints]]></category>
		<category><![CDATA[laser cutter]]></category>
		<category><![CDATA[laser cutting]]></category>
		<category><![CDATA[MAA 2013-2014]]></category>
		<category><![CDATA[modular structures]]></category>
		<category><![CDATA[plywood]]></category>
		<category><![CDATA[tallest structure]]></category>
		<category><![CDATA[tower]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=146</guid>
		<description><![CDATA[First Digital Fabrication Exercise is concluded. The school&#8217;s courtyard is now hosting the final towers made by laser cutting. Our final result is a free-standing structure that looks back at the building rationality and simplicity to reach the top. The structure has been first thought as an assembly of X shaped pieces. These pieces has been then [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/1st-image.jpg"><img class="alignnone size-large wp-image-147" alt="1st image" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/1st-image-730x488.jpg" width="730" height="488" /></a>First Digital Fabrication Exercise is concluded. The school&#8217;s courtyard is now hosting the final towers made by laser cutting. Our final result is a free-standing structure that looks back at the building rationality and simplicity to reach the top. The structure has been first thought as an assembly of <em>X</em> shaped pieces. These pieces has been then optimized removing material and allowing in this way the soft bending. Some extra pieces drive the bending pathway creating a solid assembly, while others are arranged as crosses to avoid the horizontal movements. The overall composition looks thin and light as it was preferred to concentrate the material along the height only where necessary in order to get higher.</p>
<p><span id="more-146"></span></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/2nd-image-2.jpg"><img class="alignnone size-large wp-image-155" alt="2nd image 2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/2nd-image-2-730x488.jpg" width="730" height="488" /></a>The tower raises through the combination of three types of joints which work with friction and blocking strategies. The first type makes possible the connection between the external <em>X</em> pieces, the second one allows the interlocking between the <em>X</em> shaped pieces and the horizontal frame, while the third type joins the vertical crosses with the horizontal frame.</p>
<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/joint3.jpg"><img class="alignnone size-large wp-image-149" alt="joint3" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/joint3-730x488.jpg" width="730" height="488" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Joint1.jpg"><img class="alignnone size-large wp-image-150" alt="Joint1" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/Joint1-730x488.jpg" width="730" height="488" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/joint2.jpg"><img class="alignnone size-large wp-image-151" alt="joint2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/joint2-730x488.jpg" width="730" height="488" /></a></p>
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