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	<title>Digital Fabrication &#187; Elena Mitrofanova</title>
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	<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication</link>
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		<title>spli-angulation</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/1764/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/1764/#comments</comments>
		<pubDate>Wed, 04 Dec 2013 02:47:35 +0000</pubDate>
		<dc:creator>elenamitrofanova</dc:creator>
				<category><![CDATA[Elena Mitrofanova]]></category>
		<category><![CDATA[Robert Douglas McKaye]]></category>
		<category><![CDATA[Sinem Samanci]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1764</guid>
		<description><![CDATA[Our intention with this experiment was to create a hexagonal grid within the tile boundaries which could be universally distorted to create topography or other dynamic surfaces for de-centralized irrigation to the edges. The channels for water flow are derived from this grid using a simple script and are embedded within an undulating surface so [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC0082156.jpg"><br />
<img class="alignnone size-large wp-image-1859" alt="DSC0082156" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC00821561-730x487.jpg" width="730" height="487" /></a></p>
<p style="text-align: left">Our intention with this experiment was to create a hexagonal grid within the tile boundaries which could be universally distorted to create topography or other dynamic surfaces for de-centralized irrigation to the edges. The channels for water flow are derived from this grid using a simple script and are embedded within an undulating surface so as to appear and disappear with the changing elevation.  Through triangulation, we were able to manipulate the vertices of the grid independently in order to provide pathways for the flow of water, and allocate the zones for collecting and dispersing the water to neighboring tiles.<span id="more-1764"></span></p>
<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC0098.jpg"><img class="alignnone size-large wp-image-1860" alt="DSC0098" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC0098-730x335.jpg" width="730" height="335" /></a></p>
<p style="text-align: left">Using the Delaunay triangulation as a springboard for scripting, we positioned outside vertices of the geometry at the prescribed exits points for the water flow. The interior of the triangulation was populated randomly, but with an emphasis on creating a decentralized pattern. We then deconstructed the mesh in order to prescribe the simple rule that additional curves should be introduced for each side of every triangle, and that their geometries should be defined using the end points of each side and the centroid of the triangle. Hiding the original triangulation, we further disguised the underlying hexagonal grid and established the basis for our water flow.</p>
<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC008201.jpg"><img class="alignnone size-large wp-image-1857 alignleft" alt="DSC00820" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC008201-730x485.jpg" width="730" height="485" /></a></p>
<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/DSC0082156.jpg"><br />
</a></p>
<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/AGGRIGATE2.jpg"><img class="alignnone size-large wp-image-2112" alt="AGGRIGATE2" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/AGGRIGATE2-730x292.jpg" width="730" height="292" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Vector BiValve</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/vector-bivalve/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/vector-bivalve/#comments</comments>
		<pubDate>Wed, 20 Nov 2013 22:54:24 +0000</pubDate>
		<dc:creator>Mary Katherine Heinrich</dc:creator>
				<category><![CDATA[Elena Mitrofanova]]></category>
		<category><![CDATA[Maria Laura Cerda]]></category>
		<category><![CDATA[Mary Katherine Heinrich]]></category>
		<category><![CDATA[M. K. T. Heinrich]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1045</guid>
		<description><![CDATA[3d printed joints have two categorical ways to interact with thin fiberglass rods. The joint may either constrain the rod, or traverse along its length. In this design, we explored the possibility that each 3d printed component could introduce a new control point to the geometry of a rod&#8217;s vector, in addition to the &#8220;joint&#8221; operation. The geometry of [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/FINAL%20FOR%20PRINTING.jpg" width="728" height="514" /></p>
<p>3d printed joints have two categorical ways to interact with thin fiberglass rods. The joint may either constrain the rod, or traverse along its length. In this design, we explored the possibility that each 3d printed component could introduce a new control point to the geometry of a rod&#8217;s vector, in addition to the &#8220;joint&#8221; operation.</p>
<p>The geometry of the 3d printed components is derived from this objective. The closed loop of an orientable surface is perpendicular to the rod&#8217;s vector on the apex that the rod passes through, and parallel to its vector on the apex that offers a second control point. The loop geometry is also designed to 1) minimize material without sacrificing the component&#8217;s bending strength and 2) meet additive manufacturing&#8217;s desire for geometrical self-support during printing.<span id="more-1045"></span></p>
<p><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/IMG_2243.JPG" width="239" height="160" />  <img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/IMG_2235.JPG" width="243" height="162" />  <img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/IMG_2227.JPG" width="239" height="160" /></p>
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		<item>
		<title>InterWeave</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/interweave/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/interweave/#comments</comments>
		<pubDate>Wed, 06 Nov 2013 01:12:39 +0000</pubDate>
		<dc:creator>Mary Katherine Heinrich</dc:creator>
				<category><![CDATA[Efstathia Eleni Baseta]]></category>
		<category><![CDATA[Elena Mitrofanova]]></category>
		<category><![CDATA[Mary Katherine Heinrich]]></category>
		<category><![CDATA[bending]]></category>
		<category><![CDATA[digital fabrication]]></category>
		<category><![CDATA[laser cutting]]></category>
		<category><![CDATA[M. K. T. Heinrich]]></category>
		<category><![CDATA[MAA 2013-2014]]></category>
		<category><![CDATA[plywood]]></category>
		<category><![CDATA[weaving]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=710</guid>
		<description><![CDATA[&#160; Each element in this design is a rectangular wood strip of the same length. The width of the strips begins at 4cm and decreases gradually as the structure continues up. Structurally, the tower is organized in two perpendicular axes, crossing at a central datum. In both axes, the strips bend in an alternating pattern [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_5.jpg"><img class="alignleft" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_5.jpg" width="710" height="532" /></a></p>
<p>Each element in this design is a rectangular wood strip of the same length. The width of the strips begins at 4cm and decreases gradually as the structure continues up. Structurally, the tower is organized in two perpendicular axes, crossing at a central datum. In both axes, the strips bend in an alternating pattern as they go up, switching direction at each bend&#8217;s apex. Within each axis, the strips notch together when they cross. When the two axes cross at the central datum, they weave through each other. This weaving joint (along with the surrounding bent strips acting in tension) gives the structure its stability. An “X” in one axis weaves through an “eye” in the opposing axis. The angles of each “X” determine and stabilize the position of the “eye” that encapsulates it. As the width of the strips decreases, the radius of the “eye” increases. This causes all the strips around it to increase in radius, becoming thinner in overall plan diameter. Therefore, as each section&#8217;s strips get thinner, that section of the tower gets taller.</p>
<p><span id="more-710"></span></p>
<p><a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_3.jpg"><img class="alignleft" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_3.jpg" width="710" height="532" /></a></p>
<p><img class="alignleft" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_10.jpg" width="710" height="339" /></p>
<p><a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_1.jpg"><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_2.jpg" width="232" height="175" /></a>   <img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_1.jpg" width="232" height="175" />   <img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_7.jpg" width="232" height="175" /></p>
<p><a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_6.jpg"><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_6.jpg" width="232" height="175" /></a>   <a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_4.jpg"><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_4.jpg" width="232" height="175" /></a>   <a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_8.jpg"><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_8.jpg" width="232" height="175" /></a></p>
<p><a href="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_9.jpg"><img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_11.jpg" width="232" height="175" />   <img class="alignnone" alt="" src="https://dl.dropboxusercontent.com/u/55577036/blog%20photos%20(1)/25_9.jpg" width="232" height="175" /></a></p>
<p>TEAM: Efilena Baseta, Elena Mitrofanova + Mary Katherine Heinrich</p>
<p>&nbsp;</p>
]]></content:encoded>
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