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	<title>Digital Fabrication &#187; Natalie Alima</title>
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	<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication</link>
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		<title>The Ripple Effect</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/the-ripple-effect/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/12/the-ripple-effect/#comments</comments>
		<pubDate>Wed, 04 Dec 2013 00:41:54 +0000</pubDate>
		<dc:creator>nataliealima</dc:creator>
				<category><![CDATA[Hristo Kovachev]]></category>
		<category><![CDATA[Natalie Alima]]></category>
		<category><![CDATA[Tobias Grumstrup Lund Øhrstrøm]]></category>
		<category><![CDATA[concrete]]></category>
		<category><![CDATA[iaac]]></category>
		<category><![CDATA[milling]]></category>
		<category><![CDATA[rain]]></category>
		<category><![CDATA[Stone]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1766</guid>
		<description><![CDATA[&#160; When designing the pattern for our tile, we examined the behaviour of raindrops, and the effect they have when hitting the tiles of Barcelona. Creating ripples in the concrete, we duplicated the intricate patterns of the raindrops within our design. These patterns flow through the four tiles that we created. Using a variety of [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/BLOG-FRONTPAGE.jpg"><img class="alignleft size-large wp-image-1893" alt="BLOG-FRONTPAGE" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/BLOG-FRONTPAGE-730x488.jpg" width="730" height="488" /></a></p>
<p>When designing the pattern for our tile, we examined the behaviour of raindrops, and the effect they have when hitting the tiles of Barcelona.</p>
<p>Creating ripples in the concrete, we duplicated the intricate patterns of the raindrops within our design. These patterns flow through the four tiles that we created. Using a variety of larger and smaller scale curves, these spirals join together to form one continuous pattern.</p>
<p>This liquid surface was then imported into RhinoCam where it was adapted to the form and dimensions of the tile. RhinoCam was used in order to create the spiral effect on the tiles surface.</p>
<p>Once this stage was complete, the milling process begun. From the produced mould, we then filled it concrete and allowed it to dry, resulting in four intricate tiles.</p>
<p><span id="more-1766"></span></p>
<p>&nbsp;</p>
<p>In the final process, we experimented with various ways to polish the tile by applying wax, oil, polish and a brush. How ever it was through these tests that we discovered the harshness of the brush, which ultimately warped and concealed the spirals on the surface.</p>
<p>When connected, the swirls on each individual tile join, in order to create the allusion of ripples with in the ground.</p>
<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/01_RAIN-copy1.jpg"><img class="alignleft size-thumbnail wp-image-1894" alt="01_RAIN copy" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/01_RAIN-copy1-150x150.jpg" width="150" height="150" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/02_PATTERN-copy.jpg"><img class="alignleft size-thumbnail wp-image-1895" alt="02_PATTERN copy" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/02_PATTERN-copy-150x150.jpg" width="150" height="150" /></a> <a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/03_REALTILE-copy1.jpg"><img class="alignleft size-thumbnail wp-image-1896" alt="03_REALTILE copy" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/03_REALTILE-copy1-150x150.jpg" width="150" height="150" /></a> <a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/04_REALTILE-copy5555.jpg"><img class="alignleft size-thumbnail wp-image-1969" alt="04_REALTILE copy5555" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/04_REALTILE-copy5555-150x150.jpg" width="150" height="150" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/final-assemble.jpg"><img class="alignleft size-thumbnail wp-image-1974" alt="final assemble" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/12/final-assemble-150x150.jpg" width="150" height="150" /></a></p>
]]></content:encoded>
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		<item>
		<title>360°</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/360-2/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/360-2/#comments</comments>
		<pubDate>Thu, 21 Nov 2013 12:43:53 +0000</pubDate>
		<dc:creator>sofiakcomt</dc:creator>
				<category><![CDATA[Natalie Alima]]></category>
		<category><![CDATA[Raphael Teixeira Libonati ]]></category>
		<category><![CDATA[3dprinting]]></category>
		<category><![CDATA[digital fabrication]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1322</guid>
		<description><![CDATA[Our approach to the exercise was to create joints that by its own movement could change the shape of the structure, for which we created two types of joints, one that allowed us to make the assembly with the base and another that allowed the movement of structure. During the process we had some challenges [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/imagen-final.jpg"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/imagen-final1.jpg"><img class="wp-image-1374 aligncenter" alt="imagen final" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/imagen-final1.jpg" width="832" height="624" /></a></a></p>
<p style="text-align: center"><span id="more-1322"></span></p>
<p>Our approach to the exercise was to create joints that by its own movement could change the shape of the structure, for which we created two types of joints, one that allowed us to make the assembly with the base and another that allowed the movement of structure.</p>
<p>During the process we had some challenges , the first approach was to create a two-part piece that attached by a swivel joint allows to rotate on its axis at 360 degrees that due to the constructive system of the 3D printing was impossible to manufacture.</p>
<p>The solution that we came out with was to simplify the system , so that one half of the joint contained a circle on which would rotate the mechanism and the other half that contained the hole where the circle fits will be separated in two pieces, and by joining all the pieces together will allow the mechanism to function properly.</p>
<p style="text-align: left"><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/grafica-121.jpg"><img class="wp-image-1335 alignnone" alt="grafica 12" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/grafica-121.jpg" width="900" height="270" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/a11.jpg"><img class="wp-image-1365 alignnone" alt="a1" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/a11.jpg" width="893" height="178" /></a></p>
<p style="text-align: left">By having joints that rotate 360 degrees allows a variety of positions so that the structure moves , rotates , compresses , stretches , and gives us a lot of versatility for the final shape using the different angles that the design permit. We decided for the final shape to rotate the joints 90 degrees to allow us to turn the rods into loops compressing the structure into a different position from the one at the beginning.</p>
<p>&nbsp;</p>
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		</item>
		<item>
		<title>Bifurcated_09</title>
		<link>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/bifurcate_09/</link>
		<comments>http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/2013/11/bifurcate_09/#comments</comments>
		<pubDate>Wed, 06 Nov 2013 22:36:01 +0000</pubDate>
		<dc:creator>Stephanie Bashir</dc:creator>
				<category><![CDATA[Natalie Alima]]></category>
		<category><![CDATA[Niel Jagdish Parekh]]></category>
		<category><![CDATA[Stephanie Bashir]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/?p=1002</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-12-second.jpg"><img class="alignnone size-large wp-image-988" alt="final rhino 12 second" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-12-second-730x516.jpg" width="730" height="516" /><img title="More..." alt="" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" /><img title="More..." alt="" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" /></a><span id="more-1002"></span></p>
<p><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/for-blog.jpg"><img alt="for blog" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/for-blog.jpg" width="763" height="537" /></a><a href="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-11.jpg"><img class="alignnone size-large wp-image-992" alt="final rhino 11" src="http://legacy.iaacblog.com/maa2013-2014-digital-fabrication/files/2013/11/final-rhino-11-730x516.jpg" width="730" height="516" /></a></p>
]]></content:encoded>
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