The exercise aims  to understand the various aspects of milling machine, the ability for it to make an architectural detail and to understand its constraints on design.  Focusing on the use of milling tools in order to get specific forms, the exercise was to design a hexagonal tile of size that would be tangential to the points given so as to create a seamless repetition of patterned designs thus the pattern should allow rain water to flow seamlessly in order for it to make its way out of the pattern.

Design:

The concept and the goal of the pattern is to create a seamless flow on organizing curvilinear lines, this is achieved  by the use of different levels of curvilinear pattern linked to each other, it is derived and inspired from a series of abstract patterns that were extracted to study water flow thus from diverse animal patterns seen on different kinds of animals and organisms. This pattern works as rainwater collector diverting excess water to a specific area when interconnected for the reason that each lines are levelled up to bottom, sloped gradient from higher centre of tile to the lower edges. Coming from the middle point of the tile, when channelled to each other it creates a slide through and through, so that water are collected into a specific area. The extruded lines also creates a rough surface that has the capability to trap dirt, for safety reason the pattern is designed as a non slip surface.

Process:

The process initiated various curvy linear lines within the hexagon and whereby understanding the flow patterns, further this lines arranged at different levels to get a clear idea of water flow, then with the help of 3d modelling various curves were examined and its flow were studied. This patterns were tested with the help of CAD-CAM stimulation and milling tools, giving a clear idea of actual formations. Hence a final prototype was derived through it and milling G-Code were exported. This G-codes were feuded in milling machine. The milling was done on 50mm Thick Styrofoam. Through intensive milling, a foam mould for casting tiles was produced. In order to cast a concrete tile the mould surface was finished with Vaseline so that the concrete won’t stick to the mould and multiple tiles can be produced through single mould. Further it was poured with concrete and dried for 12 hours. The tile was taken out from the mould and settled for another 12 hour in order that it is completely dried out. The process was repeated and multiple tiles were casted. The Vaseline on tiles was cleaned through water and finally tiles were dried and polished.

Renderings:

As the purpose of the exercise was to create tile pieces to cover the school’s patio floor, we decide to create an image concept to represent what we think is the essence of the school and the advance architecture at Iaac: The students.

That’s why we decide to create “Topography Faces”, a trilateral symmetry design that represent thinkers of the new architecture.

With 3 diferentes face designs in 3 different corners of the tile, the design becomes a complex pattern formed by the rotation of the title to match with the next face and finally forming a topographical surface for water flow.

The Lotus Flower it’s a kinetic and dynamic structure.

The goal of the exercise was to producing 3d printed pieces and explore the design opportunities arising from the potential and limitations of the technology to create a dynamic assembly with 2mm diameter rods linked together by 3d printed pieces.

Our idea was to design just one joint. This joint should had the capabilities of generate through the connections between themselves and with the help of the elastic nature of the tubes in order to form two geometrical moments, one that’s goes up and another one than goes to the sides.

The dynamic nature of the joint allows a level of movement between the rods themselves in a translation system by moving the rods in to a circle to move within itself and transfigure into a bigger or smaller structure.

The aim of our notion is to create the state which the model is able to be opened and closed. Have a look at our joints, they are the simplest shape fomed likes circle which there are several holes on it. By these, the rods could be formed into the spiral column, the advantage of the form, it could be changed the form into defferent states by rotating the joint. Firstly, move the joint along the colume shape we created and then push it towards the two seperated joints we fixed on the ground. In this state, the structure will display with fan-shaped. Secondly, having rotating the joint, the middile area will be opened likes the shell movement.

The final dimensions of the scratch joint were determined by the material’s flexibility as well as the joint’s arm length.  The 3mm wood gave us optimal flexibility to bend pieces and form connections adding strength through tension and compression.  The scratch tower went through many iterations: first, we looked at the geometry of a spiral. Creating a spiral configuration would provide us with maximum strength, but left us with less opportunities to play with the system.  Secondly, we combined a spiral base with an organic flow that formed an unstable tower.  Final build experiments taught us that we could achieve a more stable structure as long as we had a strong base, this allowed us to grow our tower from a ridged base and explore the possibilities of natural form using one component as well as experiment with the tower’s maximum height.

Start from Scratch!

The tower raises through the combination of three types of joints which work with friction and blocking strategies. The first type makes possible the connection between the external X pieces, the second one allows the interlocking between the X shaped pieces and the horizontal frame, while the third type joins the vertical crosses with the horizontal frame.