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	<title>IC.1 Digital Fabrication &#187; Material</title>
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	<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication</link>
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		<item>
		<title>3 mm Aluminium Sphere</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/11/3-mm-aluminium-sphere/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/11/3-mm-aluminium-sphere/#comments</comments>
		<pubDate>Wed, 05 Nov 2014 09:55:35 +0000</pubDate>
		<dc:creator>Ceren Temel</dc:creator>
				<category><![CDATA[Adhitya Rathinam]]></category>
		<category><![CDATA[John Koshy]]></category>
		<category><![CDATA[Nina Jotanovic]]></category>
		<category><![CDATA[#digitalfabrication]]></category>
		<category><![CDATA[2014]]></category>
		<category><![CDATA[bending]]></category>
		<category><![CDATA[engraving]]></category>
		<category><![CDATA[FABRICATION]]></category>
		<category><![CDATA[IAAC]]></category>
		<category><![CDATA[master]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[millingmachine]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=925</guid>
		<description><![CDATA[&#160; At first we did design of aluminium sphere as constructive assembly of joints and folding. Design strategy was based on using the 0.3 mm thick aluminium and the EndCut Mill tool 0.3 mm in diameter. In this case one mill cut matches thickness of material, making joints possible. As we starded to mill our [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0005.jpg"><img class="alignnone size-medium wp-image-927" alt="Aluminium Sphere" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0005-300x165.jpg" width="300" height="165" /></a></p>
<p><span id="more-925"></span></p>
<p>At first we did design of aluminium sphere as constructive assembly of joints and folding. Design strategy was based on using the 0.3 mm thick aluminium and the EndCut Mill tool 0.3 mm in diameter. In this case one mill cut matches thickness of material, making joints possible.</p>
<p dir="ltr">As we starded to mill our material, we realized that parts designed for joints are too thin and fragile to be succesfull. Because of that we focused only on the folding of aluminium. This was done by engraving the folding lines.</p>
<p dir="ltr">We also had problems with melting of aluminum during the milling process. But we were able to cut of the melted part manually.</p>
<p dir="ltr"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0003.jpg"><img class="alignnone size-medium wp-image-928" alt="Sphere 2" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0003-300x176.jpg" width="300" height="176" /></a></p>
<p dir="ltr"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0002.jpg"><img class="alignnone size-medium wp-image-930" alt="Sphere 3" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_0002-300x184.jpg" width="300" height="184" /></a></p>
<p dir="ltr"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_9966.jpg"><img class="alignnone size-medium wp-image-931" alt="Open Sphere" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/11/IMG_9966-300x168.jpg" width="300" height="168" /></a></p>
<p>&nbsp;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>PLAIN WOOD SPHERE FABRICATION</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/plain-wood-sphere-fabrication/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/plain-wood-sphere-fabrication/#comments</comments>
		<pubDate>Thu, 30 Oct 2014 16:14:26 +0000</pubDate>
		<dc:creator>Igor Cegar</dc:creator>
				<category><![CDATA[Alejandro Carrillo]]></category>
		<category><![CDATA[Igor Cegar]]></category>
		<category><![CDATA[Lubna Alayeli]]></category>
		<category><![CDATA[Tamara Ivaovic]]></category>
		<category><![CDATA[FABRICATION]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[PLAINWOOD]]></category>
		<category><![CDATA[sphere]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=865</guid>
		<description><![CDATA[&#160; During the cutting exercise was used natural wood with thickness of 3mm. Design sphere included interconnecting 3  horizontal circular area with 12 vertical &#8220;slices&#8221; using method of slits with offset of 0.5 mm according to the thickness of the material.  As a result of the exercise, obtained a very compact, solid sphere  without need [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/sphere-fabrication.jpg"><img class="alignnone size-large wp-image-1504" alt="sphere fabrication" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/sphere-fabrication-730x567.jpg" width="730" height="567" /></a></p>
<p>&nbsp;</p>
<p><span id="more-865"></span></p>
<p>During the cutting exercise was used natural wood with thickness of 3mm. Design sphere included interconnecting 3  horizontal circular area with 12 vertical &#8220;slices&#8221; using method of slits with offset of 0.5 mm according to the thickness of the material.  As a result of the exercise, obtained a very compact, solid sphere  without need for  using glue or other linkers.</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/sphere-laser-parts-128x3001.jpg"><img class="alignnone size-full wp-image-1505" alt="sphere-laser-parts-128x300" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/sphere-laser-parts-128x3001.jpg" width="300" height="128" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>ZINC (Zn) Mineral category</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/zinc-zn-mineral-category/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/zinc-zn-mineral-category/#comments</comments>
		<pubDate>Tue, 21 Oct 2014 13:51:15 +0000</pubDate>
		<dc:creator>Igor Cegar</dc:creator>
				<category><![CDATA[Igor Cegar]]></category>
		<category><![CDATA[Tamara Ivaovic]]></category>
		<category><![CDATA[#digitalfabrication]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[Mineral]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=533</guid>
		<description><![CDATA[FORMULA: Zinc (Zn) &#160; MATERIAL DESCRIPTION: Zinc  is a chemical element with symbol Zn and atomic number 30. It is an essential trace mineral present in a rock, soil, air and water. Zinc is used in alloys such as brass, nickel silver and aluminium solder. Large quantities of zinc are used to produce die-castings which [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/le-zinc.jpg"><img alt="le-zinc" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/le-zinc-300x223.jpg" width="300" height="223" /></a></p>
<p><b>FORMULA:</b></p>
<p>Zinc (Zn)</p>
<p>&nbsp;</p>
<p><b>MATERIAL DESCRIPTION:</b></p>
<p><b>Zinc </b> is a chemical element with symbol Zn and atomic number 30. It is an essential trace mineral present in a rock, soil, air and water. Zinc is used in alloys such as brass, nickel silver and aluminium solder. Large quantities of zinc are used to produce die-castings which are important in the automobile, electrical and hardware industries. It is also used extensively to galvanise other metals such as iron to prevent rusting. Zinc oxide is widely used in the manufacture of very many products such as paints, rubber, cosmetics, pharmaceuticals, plastics, inks, soaps, batteries, textiles and electrical equipment. Zinc sulfide is used in making luminous dials and fluorescent lights.</p>
<p>&nbsp;</p>
<p><b>EXTRACTION AND REFINING PROCESS:</b></p>
<p>Roasting and sintering; electrolysis and smelting, require the prior removal of sulfur in a reaction:</p>
<p>&nbsp;</p>
<p><b>BASIC PROPERTIES:</b></p>
<p>compressive strength (N/M2)</p>
<p>tensile strength (N/M2)                                   28</p>
<p>stiffness (N/M2)</p>
<p>density  (KG/M3)                                               7140</p>
<p>carbon footprint (average KGCO2E/KG)</p>
<p>recyclable                                                           YES</p>
<p>laser                                                                     YES</p>
<p>small laser                                                          YES</p>
<p>milling                                                                 YES</p>
<p>3d printing                                                         YES</p>
<p>&nbsp;</p>
<p><b>ADVANTAGE IN THE CONTEXT OF DIGITAL FABRICATION:</b></p>
<p>ESSENTIAL role in the biological proceses of all humans, plants and animals</p>
<p>PROTECTION-ability to protect still from corroison</p>
<p>RECYCLING infinitely without loss of properties and quality</p>
<p>SUSTAINABLE sorce of energy systems</p>
<p>NON FERROUS metal that can be cut with CO2 laser</p>
<p>FLEXIBLE, ELASTIC, SUITABLE for shaping-3D printing</p>
<p><b> </b></p>
<p>&nbsp;</p>
<p><b>MATERIAL SUPLIERS:</b></p>
<p>Servei Estacio   http://www.serveiestacio.com/ca</p>
<p>&nbsp;</p>
<p><b>PRICE:</b></p>
<p>13,5 EURO 200x1000x0,6mm</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Translucent Polypropylene (PP) 0.5 mm</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/translucent-polypropylene-pp-0-5-mm/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/translucent-polypropylene-pp-0-5-mm/#comments</comments>
		<pubDate>Sat, 18 Oct 2014 10:24:21 +0000</pubDate>
		<dc:creator>Ceren Temel</dc:creator>
				<category><![CDATA[Nina Jotanovic]]></category>
		<category><![CDATA[Digital fabrication]]></category>
		<category><![CDATA[IAAC]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[polypropylene]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[translucent]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=287</guid>
		<description><![CDATA[&#160; CHEMICAL COMPOSITION/FORMULA: (C3H6)n &#160; MATERIAL DESCRIPTION: Polypropylene is a semi-crystalline thermoplastic. It is a linear hydrocarbon polymer, which serves both as fiber and plastic. It is used in packaging, textiles, thermal underwear, carpets, laboratory equipments, loudspeakers etc. PP has an intermediate level of crystallinity between low density polyethylene (LDPE) and high density polyethylene(HDPE) and [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Translucent-polypropylene.jpg"><img class="alignnone size-large wp-image-289" alt="Translucent polypropylene" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Translucent-polypropylene-730x486.jpg" width="730" height="486" /></a></p>
<p>&nbsp;</p>
<p><strong>CHEMICAL COMPOSITION/FORMULA:</strong></p>
<p>(C3H6)n</p>
<p>&nbsp;</p>
<p><span id="more-287"></span><!--more--></p>
<p><strong>MATERIAL DESCRIPTION:</strong></p>
<p>Polypropylene is a semi-crystalline thermoplastic. It is a linear hydrocarbon polymer, which serves both as fiber and plastic. It is used in packaging, textiles, thermal underwear, carpets, laboratory equipments, loudspeakers etc. PP has an intermediate level of crystallinity between low density polyethylene (LDPE) and high density polyethylene(HDPE) and has a low level of electrical conductivity. Polypropylne is close to polyethylne but has higher working temperatures and tensile strength than polyethylene. It also has a high melting point compared to other plastics.</p>
<p><!--more--></p>
<p><strong>EXTRACTION PROCESS:</strong></p>
<p>Propylene is obtained, along with ethylene, by cracking naphtha (crude oil light distillate). It is separated by low temperature fractional distillation. After the propylene monomer is subjected to heat and pressure, PP is manufactured from propylene gas in the presence of a catalyst. Polymerisation is achieved at relatively low temperature and pressure and the product yielded is translucent, but readily coloured.</p>
<p>&nbsp;</p>
<p><strong>BASIC PROPERTIES:</strong></p>
<p>Compressive Strength (N/m2)                             40000000</p>
<p>Tensile Strength (N/m2)                                      950000 &#8211; 1300000</p>
<p>Stiffness (N/m2)                                                   1.5 &#8211; 2.0 x 109</p>
<p>Density (kg/m3)                                                   905</p>
<p>Carbon Footprint (average,KGCO2E/KG)         3,456 ( Less CO2 equivalents by weight than PET,PS and PVC.)</p>
<p>Recyclable                                                             Yes (Polypropylene recyling rates are increasing by year.)</p>
<p>Laser                                                                      Yes</p>
<p>Small Laser                                                            Yes</p>
<p>Milling</p>
<p>3D Printing                                                            No</p>
<p>&nbsp;</p>
<p><strong>ADVANTAGE IN THE CONTEXT OF DIGITAL FABRICATION:</strong></p>
<p>Polypropylene is a material which is shapeable. It is easy to give a form. PP is normally though and flexible. It can be used also by twisting, bending or folding. It has good resistance to fatigue. It is lightweight, and does not absorb the water. On the other hand, it is economical.</p>
<p>&nbsp;</p>
<p><strong>MATERIAL SUPLIERS:</strong></p>
<p>Complas                     http://www.complasbcn.com/</p>
<p>Servei Estacio            http://www.serveiestacio.com/</p>
<p>Lork Industria           http://www.lorkindustrias.com/</p>
<p>Sunclear                     http://www.sunclear.es/</p>
<p>&nbsp;</p>
<p><strong>PRICE</strong> <strong>: </strong></p>
<p>3.86 eu/m2 (Complas)</p>
<p>5.20 eu/m2 (Servei Estacio)</p>
<p>&nbsp;</p>
<p><strong>REFERENCES:</strong></p>
<p>Generative Installation, Diaphanous</p>
<p>Mexico, 2011</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/diaphanus-installation.jpg"><img class="alignnone size-medium wp-image-291" alt="diaphanus installation" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/diaphanus-installation-300x225.jpg" width="300" height="225" /></a></p>
<p>Instituto Tecnológico y de Estudios Superiores de Monterrey</p>
<p>Advanced Prototypes / Department of Industrial Design</p>
<p>By Gabriel Esquivel &amp; David Hernandez</p>
<p>http://archinect.com/people/project/15906375/diaphanus/15909988</p>
<p>____________________________________________________________</p>
<p>Exhibition Minimal Complexity MC/2*, Complex Surfaces</p>
<p>London,2012</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/MC2-Installation.jpg"><img class="alignnone size-medium wp-image-292" alt="MC2-Installation" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/MC2-Installation-300x218.jpg" width="300" height="218" /></a></p>
<p>International Architecture &amp; Design Showcase</p>
<p>Office of Surface Architects</p>
<p>By Vlad Tenu</p>
<p>http://www.arch2o.com/mc2-london-2012-vlad-tenu-surface/</p>
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		</item>
		<item>
		<title>AGAR-POWDER FORM</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/sodium-acetate-trihydrate-_-transparent/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/sodium-acetate-trihydrate-_-transparent/#comments</comments>
		<pubDate>Fri, 17 Oct 2014 22:51:25 +0000</pubDate>
		<dc:creator>Mehmet Yilmaz Akdogan</dc:creator>
				<category><![CDATA[Mehmet Yilmaz Akdogan]]></category>
		<category><![CDATA[Neel Kaul]]></category>
		<category><![CDATA[#crystal]]></category>
		<category><![CDATA[#digitalfabrication]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[transparent]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=244</guid>
		<description><![CDATA[AGAR_LIQUID FORM]]></description>
				<content:encoded><![CDATA[<div id="attachment_646" class="wp-caption alignnone" style="width: 350px"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Agar-Agar-Powder.jpg"><img class="size-full wp-image-646" alt="http://happytribe.com.au/wp-content/uploads/Agar-Agar-Powder.jpg" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Agar-Agar-Powder.jpg" width="340" height="238" /></a><p class="wp-caption-text"><a href="http://happytribe.com.au/wp-content/uploads/Agar-Agar-Powder.jpg">http://happytribe.com.au/wp-content/uploads/Agar-Agar-Powder.jpg</a></p></div>
<p><span id="more-244"></span><a style="text-align: center;background-color: #f3f3f3" href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IMG_5510.jpg"><img class="size-large wp-image-647" title="AGAR_LIQUID FORM" alt="IMG_5510" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IMG_5510-730x547.jpg" width="730" height="547" /></a></p>
<dl class="wp-caption alignnone" id="attachment_647" style="width: 740px">
<dd class="wp-caption-dd">AGAR_LIQUID FORM</dd>
</dl>
<div id="attachment_648" class="wp-caption alignnone" style="width: 740px"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IMG_5522.jpg"><img class="size-large wp-image-648" title="AGAR_JELLY FORM" alt="" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IMG_5522-730x547.jpg" width="730" height="547" /></a><p class="wp-caption-text">AGAR_JELLY FORM</p></div>
<div id="attachment_650" class="wp-caption alignnone" style="width: 733px"><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/13.jpg"><img class="size-large wp-image-650" alt="TECHNICAL SHEET" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/13-723x1024.jpg" width="723" height="1024" /></a><p class="wp-caption-text">TECHNICAL SHEET</p></div>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/24.jpg"><img class="alignnone size-large wp-image-651" alt="" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/24-730x538.jpg" width="730" height="538" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Polished Brass</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/pollished-brass/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/pollished-brass/#comments</comments>
		<pubDate>Fri, 17 Oct 2014 12:24:52 +0000</pubDate>
		<dc:creator>Wilton Neves</dc:creator>
				<category><![CDATA[Shreyas More]]></category>
		<category><![CDATA[Wilton Neves]]></category>
		<category><![CDATA[brass]]></category>
		<category><![CDATA[Digital fabrication]]></category>
		<category><![CDATA[IAAC]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[metal]]></category>
		<category><![CDATA[polished]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=162</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IAAC-DIGITAL-FABRICATION-BRASS-01.png"><img class="alignnone size-large wp-image-633" alt="IAAC DIGITAL FABRICATION BRASS 01" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IAAC-DIGITAL-FABRICATION-BRASS-01-724x1024.png" width="724" height="1024" /></a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IAAC-DIGITAL-FABRICATION-BRASS-012.png"><img class="alignnone size-large wp-image-632" alt="IAAC DIGITAL FABRICATION BRASS 012" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/IAAC-DIGITAL-FABRICATION-BRASS-012-724x1024.png" width="724" height="1024" /></a></p>
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		<title>Rubber Silicone Alimentary</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/rubber-caucho-silicone-alimentary-non-toxic/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/rubber-caucho-silicone-alimentary-non-toxic/#comments</comments>
		<pubDate>Thu, 16 Oct 2014 17:12:44 +0000</pubDate>
		<dc:creator>Silvia Oliva Marco</dc:creator>
				<category><![CDATA[Maria Alexandra Polyakova]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[MAA1]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[silicone]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=100</guid>
		<description><![CDATA[&#160; Scientific name: vinyl methyl silsesquioxane &#160; Chemical composition: 2C+SiO2 &#160; Material description: Translucent material with a smooth surface and thickness from 0.5 to 4.0 mm. It’s waterproof and resistant to ozone and UV. It’s temperature range goes from -55 to 300 C.Silicone rubber is an elastomer composed of silicone—itself a polymer—containin silicon together with [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/silicone.jpg"><img class="alignnone size-medium wp-image-510" alt="silicone" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/silicone-300x214.jpg" width="300" height="214" /></a></p>
<p><strong>Scientific name:</strong></p>
<p>vinyl methyl silsesquioxane</p>
<p>&nbsp;</p>
<p><strong>Chemical composition:</strong></p>
<p>2C+SiO2</p>
<p>&nbsp;</p>
<p><strong>Material description:</strong></p>
<p>Translucent material with a smooth surface and thickness from 0.5 to 4.0 mm.</p>
<p>It’s waterproof and resistant to ozone and UV. It’s temperature range goes</p>
<p>from -55 to 300 C.Silicone rubber is an elastomer composed of silicone—itself</p>
<p>a polymer—containin silicon together with carbon, hydrogen, and oxygen.</p>
<p>Translucent silicone rubber is chemically inert with no odor oroutgassing</p>
<p>properties in its solid state. Translucent rubber maintains good tensile strength</p>
<p>for a thinner material. Also meets FDA standards.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Extraction process:</strong></p>
<p>silicones are mixed inorganic-organic polymers with the chemical formula</p>
<p>[R2SiO]n, where R is an organic group such as methyl, ethyl, or phenyl.</p>
<p>&nbsp;</p>
<p><strong>Basic properties:</strong></p>
<p>Compressive strength:                          20 MPa</p>
<p>Tensile strength:                                   9.0 MPa</p>
<p>Stiffness:                                               60 Shore</p>
<p>Carbon footprint average:</p>
<p>Recyclable:                                           Yes</p>
<p>Laser:                                                    Yes</p>
<p>Small laser:                                           Yes</p>
<p>Milling:                                                   Yes</p>
<p>3D printing:                                            No</p>
<p>&nbsp;</p>
<p><strong>Material supliers:</strong></p>
<p>1. Sucesores de Antonio Norverto, sociedad limitada</p>
<p>Calle Bolivia, 340, 08018, Barcelona</p>
<p>2. Manufacturados Espanoles de resinas fluoradas S.L.</p>
<p>Calle Cobalt, 101, 08907, Hospitalet de Liobregat, Barcelona</p>
<p>3. Establecimentos OR 64 SL</p>
<p>Calle Joan Casanovas Maristany, 08739, Subirats, Barcelona</p>
<p>4. Dicoinsa SL</p>
<p>Calle Pisuegra, 2, 08028, Barcelona</p>
<p>5. Siliconas Tecnicas SL</p>
<p>Calle Italia, 1, 08520, Franqueses del Valles, Barcelona</p>
<p>6. Componentes de los fluidos SL</p>
<p>Passeo Congost, 153, 08530, Garriga, Barcelona</p>
<p>7. Atma maquinaria para caucho SL</p>
<p>Calle Biugetes, 7, 08791, Sant Llorenc d’Hortons, Barcelona</p>
<p>8. Servei Estacio    http://www.mwmaterialsworld.com/</p>
<p>9.Lork industrials http://www.lorkindustrias.com/contacto_eng.html</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Price:</strong></p>
<p>81.30 eu. 1200&#215;1.5&#215;1000 &#8211; Servei Estacio.</p>
<p>&nbsp;</p>
<p><strong>References:</strong></p>
<p>1. Carey Jones Architects Design: The Soundhouse in United Kingdom 2008</p>
<p><a href="http://www.dezeen.com/2008/09/24/soundhouse-by-careyjones-and-jefferson-sheard/">http://www.dezeen.com/2008/09/24/soundhouse-by-careyjones-and-jefferson-sheard/</a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1.0.jpg"><img class="alignnone size-medium wp-image-524" alt="1.0" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1.0-300x225.jpg" width="300" height="225" /><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1.1.jpg"><img class="alignnone size-medium wp-image-525" alt="1.1" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1.1-224x300.jpg" width="224" height="300" /></a></a></p>
<p>&nbsp;</p>
<p>2.Carsten Nikolai &#8220;syn chron&#8221; pavilion 2004</p>
<p><a href="http://www.carstennicolai.de/?c=works&amp;w=syn_chron">http://www.carstennicolai.de/?c=works&amp;w=syn_chron</a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/2.0.jpg"><img class="alignnone size-medium wp-image-526" alt="2.0" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/2.0-300x244.jpg" width="300" height="244" /><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/2.1.jpg"><img class="alignnone size-medium wp-image-527" alt="2.1" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/2.1-300x199.jpg" width="300" height="199" /></a></a></p>
<p>&nbsp;</p>
<p>3.Tom Wiscombe, Moca Pavilion, Los angeles 2013</p>
<p><a href="http://www.tomwiscombe.com/project_008.html">http://www.tomwiscombe.com/project_008.html</a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/3.jpg"><img class="alignnone size-medium wp-image-528" alt="3" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/3-300x300.jpg" width="300" height="300" /></a></p>
<p>&nbsp;</p>
<p>4. Concrete and rubber lamps by Renate Vos 2013</p>
<p><a href="http://design-milk.com/concrete-and-rubber-lamps-by-renate-vos/">http://design-milk.com/concrete-and-rubber-lamps-by-renate-vos/</a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/4.jpg"><img class="alignnone size-medium wp-image-529" alt="4" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/4-224x300.jpg" width="224" height="300" /></a></p>
<p>&nbsp;</p>
<p>5.Wolfgang Bittner, Lyndsey Housden, Yoko Seyama and Jeroen Uyttendaele. Plane Scape pavilion in the Royal Conservatory of The Hague. 2010</p>
<p><a href="http://mycitylab.eu/amplifiedarchitecture/2010/09/">http://mycitylab.eu/amplifiedarchitecture/2010/09/</a></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/5.jpg"><img class="alignnone size-medium wp-image-530" alt="5" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/5-300x198.jpg" width="300" height="198" /></a></p>
<p>&nbsp;</p>
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		<title>Fiberglass</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/fiberglass/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/fiberglass/#comments</comments>
		<pubDate>Thu, 16 Oct 2014 15:43:03 +0000</pubDate>
		<dc:creator>Denis Li</dc:creator>
				<category><![CDATA[Denis Li]]></category>
		<category><![CDATA[Francesco Maria Massetti]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[Digital fabrication]]></category>
		<category><![CDATA[fiberglass]]></category>
		<category><![CDATA[MAA01]]></category>
		<category><![CDATA[Material]]></category>
		<category><![CDATA[transparent]]></category>

		<guid isPermaLink="false">http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/?p=65</guid>
		<description><![CDATA[Transparent Group SCIENTIFIC NAME: Fiberglass &#8211; Glass-Reinforced Plastic (GRP) FORMULA/CHEMICAL COMPOSITION: (SiO2)n MATERIAL DESCRIPTION: Fiberglass is a strong lightweight material and is used for many products. Although it is not as strong and stiff as composites based on carbon fiber, it is less brittle, and its raw materials are much cheaper. Its bulk strength and weight [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/fiberglass.jpg"><img class="alignnone size-medium wp-image-66" alt="fiberglass" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/fiberglass-225x300.jpg" width="225" height="300" /></a></p>
<p>Transparent Group<span id="more-65"></span></p>
<p><b>SCIENTIFIC NAME: </b>Fiberglass &#8211; Glass-Reinforced Plastic (GRP)</p>
<p><b>FORMULA/CHEMICAL COMPOSITION: </b>(SiO<sub>2</sub>)<sub>n</sub></p>
<p><b>MATERIAL DESCRIPTION: </b></p>
<p>Fiberglass is a strong lightweight material and is used for many products. Although it is not as strong and stiff as composites based on carbon fiber, it is less brittle, and its raw materials are much cheaper. Its bulk strength and weight are also better than many metals, and it can be more readily molded into complex shapes. Applications of fiberglass include, aircraft, boats, automobiles, bath tubs and enclosures, hot tubs, septic tanks, water tanks, roofing, pipes, cladding, casts, surfboards, and external door skins.</p>
<p><b>EXTRACTION PROCESS:</b></p>
<p>The process of manufacturing fibreglass is called pultrusion. The manufacturing process for glass fibers suitable for reinforcement uses large furnaces to gradually melt the silica sand, limestone, and other minerals to liquid form. It is then extruded through bushings, which are bundles of very small orifices (typically 5–25 micrometres in diameter for E-Glass, 9 micrometres for S-Glass). These filaments are then coated with a chemical solution.</p>
<p><b>BASIC PROPERTIES:</b>  (e-glass)</p>
<p>Tensile Strength: 3445 (MPa)</p>
<p>Compressive Strength: 1080 (MPa)</p>
<p>Density: 2.58 (g/cm<sup>3</sup>)</p>
<p>Thermal Expansion: 5.4 (µm/m·°C)</p>
<p>3D Printing: used as filament</p>
<p>Recyclable</p>
<p>Low CO2 footprint</p>
<p><b>MATERIAL SUPPLIERS:</b></p>
<p>Servei Estacio <a href="https://www.google.com/url?q=http://www.serveiestacio.com/&amp;usd=2&amp;usg=ALhdy2_37ILm3B1kpPniJY0L1D0fusiZ2g" target="_blank">http://www.serveiestacio.com/</a></p>
<p><b>PRICE:</b></p>
<p>4.20 euros per 1m<sup>2</sup></p>
<p>&nbsp;</p>
<p><em>REFERENCES: </em></p>
<p>http://antoniopiosaracino.com/new-york-city-future-furnture-award-expanding-light/</p>
<p>http://www.evolo.us/architecture/tensioned-relaxations-playful-outdoor-structures-for-new-york-street-fair/</p>
<p><a href="http://www.williamlishman.com/underground.htm" target="_blank">http://www.williamlishman.com/underground.htm</a></p>
<div><a href="http://archrecord.construction.com/ar_china/featurezhuchang-1.asp" target="_blank">http://archrecord.construction.com/ar_china/featurezhuchang-1.asp</a></div>
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		<title>CORK. DIGITAL FABRICATION</title>
		<link>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/cork-digital-fabrication/</link>
		<comments>http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/2014/10/cork-digital-fabrication/#comments</comments>
		<pubDate>Thu, 16 Oct 2014 14:09:21 +0000</pubDate>
		<dc:creator>Matteo Silverio</dc:creator>
				<category><![CDATA[Matteo Silverio]]></category>
		<category><![CDATA[Ran Shabtay]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[cork]]></category>
		<category><![CDATA[Digital fabrication]]></category>
		<category><![CDATA[IAAC]]></category>
		<category><![CDATA[MAA01]]></category>
		<category><![CDATA[Material]]></category>

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		<description><![CDATA[&#160; IMAGE: Jetson Green &#8211; www.jetsongreen.com Hello, we are the cork Team (19 &#8211; organic). Matteo Silverio + Ran Shabtay &#160; SCIENTIFIC NAME: QUERCUS SUBER &#160; FORMULA /CHEMICAL COMPOSITION: C123H182O56N Ash 0.7%. total extractives 15.3%, Suberin 38.6%, Lignin 21.7% and polysaccharides 18.2%. The carbohydrate composition shows that glucose represents 50.6% of all monosaccharides, Xylose 35%, [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Expanded-Cork-Insulation-Amorim-Isolamentos.jpg"><img class="alignnone size-medium wp-image-707" alt="Expanded-Cork-Insulation-Amorim-Isolamentos" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Expanded-Cork-Insulation-Amorim-Isolamentos-300x223.jpg" width="300" height="223" /></a></p>
<p>IMAGE: Jetson Green &#8211; www.jetsongreen.com</p>
<p>Hello, we are the cork Team (19 &#8211; organic). Matteo Silverio + Ran Shabtay<span id="more-39"></span></p>
<p>&nbsp;</p>
<p><strong>SCIENTIFIC NAME: QUERCUS SUBER</strong></p>
<p>&nbsp;</p>
<p><strong>FORMULA /CHEMICAL COMPOSITION: </strong></p>
<p>C123H182O56N<br />
Ash 0.7%. total extractives 15.3%, Suberin 38.6%, Lignin 21.7% and polysaccharides 18.2%. The carbohydrate composition shows that glucose represents 50.6% of all monosaccharides, Xylose 35%, arabinose 7.0% and galactose and mannose respectively 3.6% and 3.4%.</p>
<p>&nbsp;</p>
<p><strong>MATERIAL DESCRIPTION: </strong></p>
<p>Cork consists of the irregularly shaped, thin-walled, wax-coated cells that make up the peeling bark of many trees. Cork is unique because it is made of air-filled, watertight cells that are a remarkably effective insulating medium. The air pockets make cork very light in weight.</p>
<p>&nbsp;</p>
<p><strong>EXTRACTION PROCESS:</strong></p>
<p>Cork material is harvested from the cork oak tree (Quercus Suber), but instead of needing to cut down the tree to source the benefit of the raw material as is done with the majority of all other wood species, the bark (or outer skin) of the tree is peeled off, and the tree is left to regenerate. For this reason, cork industry is regarded as environmentally friendly and sustainable.</p>
<p>&nbsp;</p>
<p><strong>BASIC PROPERTIES:</strong></p>
<p>COMPRESSIVE STRENGH (kN/m2)                                86,30 (A)<br />
TENSILE STRENGH (kN/m2)                                            294,20 (A)<br />
STIFFNESS (kN/m2)                                                            335,39 (A)<br />
DENSITY (Kg/m3)                                                                 150-160 (B)<br />
CARBON FOOTPRINT COVERAGE (KgCO2/Kg)          0,19 (C)<br />
3D PRINTING                                                                              -<br />
MILLING                                                                                  YES<br />
BASIC PROPRIETIES                                                           SOFT, FLEXIBLE,WARM<br />
LASER                                                                                       YES<br />
RECYCABLE                                                                            YES</p>
<p><em> </em></p>
<p><em>NOTE:</em><br />
A: CorkPanel BetonWood, material data sheet. More info: www.betonwood.com<br />
B: Variable density according to the fabrication process<br />
C: Geoff Hammond, Craig Jones &#8211; INVENTORY OF CARBON&amp;ENERGY (ICE) VERSION 1.6a www.uea.ac.uk/~e680/energy/NBS-M016/ICE%20Version%201.6a.pdf</p>
<p>&nbsp;</p>
<p><strong>ADVANTAGE IN THE CONTEXT OF DIGITAL FABRICATION: </strong></p>
<p>Cork is totally natural, 100% recyclable and available in many formats and thickness. Moreover, it’s impermeable to liquids, elastic, resilient, it possess acoustic insolation and it’s resistant to chemical and microbial attacks.</p>
<p>&nbsp;</p>
<p><strong>MATERIAL SUPPLIERS</strong>:</p>
<p>BCK barnacork &#8211; Carrer C/ Llull, 47-49 planta 4 local 5 T: 93 309 77 83 web: www.barnacork.com<br />
Servicio Estación &#8211; Carrer d&#8217;Aragó, 270-272 T: 93 381 28 91 web: www.serveiestacio.com<br />
Surotecnica &#8211; Carrer Muntaner, 56 T: 93 453 47 11 web: www.surotecnica.com</p>
<p>&nbsp;</p>
<p><strong>PRICE (915x610mm &#8211; thickness: 1, 1.5, 2, 3, 4, 5, 6, 7, 8, 10, 12, 15, 20, 25, 30, 40, 50, 100)</strong></p>
<p>BCK barnacork: 100 mm = 118,36 €  CHEAPEST: ~8,51 €/Kg</p>
<p>&nbsp;</p>
<p><strong>BIBLIOGRAPHY</strong></p>
<p>WEB:</p>
<p>www.sustainablematerials.com/cork/<br />
www.materialproject.org/wiki/Cork<br />
www.sciencedaily.com/releases/2012/06/120622162946.htm<br />
www.sciencedaily.com/releases/2014/04/140416113012.htm<br />
www.nature.com/srep/2012/120509/srep00403/full/srep00403.html<br />
www.apcor.pt/artigo/cork-production.htm</p>
<p>&nbsp;</p>
<p>BOOKS:</p>
<p>Helena Pereira, Cork: Biology, Production and Uses Hardbound 2007 &#8211; ISBN: 978-0-444-52967-1</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>PROJECT REFERENCE PHOTOS WITH INFOS AND LINKS</strong></p>
<p><strong>The Portugal Pavilion in EXPO Shanghai 2010</strong></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1272472216-portugal.jpg"><img class="alignnone size-medium wp-image-699" alt="1272472216-portugal" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/1272472216-portugal-300x225.jpg" width="300" height="225" /></a></p>
<p><em>Designer:</em> Arch. Carlos Couto<br />
<em>Date:</em> 2010<br />
<em>Location:</em> Shanghai</p>
<p><em>web:</em> www.amorim.com/en/how-we-do-it/reference-projects/Portuguese-Pavilion-Expo/440/</p>
<p><em>Description:</em><br />
Built with 5500 m2 of cork supplied by Corticeira Amorim, the Portuguese Pavilion at Expo 2010 Shanghai<br />
was a surprise for its originality. The design was developed in harmony with the Better City, Better Life<br />
concept, by using cork as the solution for an environment-friendly construction in the future.</p>
<p>&nbsp;</p>
<p><strong>Cork House</strong></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Cork-03.jpg"><img class="alignnone size-medium wp-image-701" alt="Cork-03" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Cork-03-300x200.jpg" width="300" height="200" /></a></p>
<p><em>Designer:</em> Arquitectos Anonimos and Paulo Teodósio<br />
<em>Date:</em> 2007<br />
<em>Location:</em> Esposende, Portugal</p>
<p><em>web:</em> www.bjoku.com/cork-house-by-arquitectos-anonimos/</p>
<p><em>Description:</em></p>
<p>The shaped carcass, stoutly wrapped with cork bricks, deals a few radical ruptures, claiming a friendly<br />
distance to the neighborhood. Inside, the expectable “ready to inhabit” combines a straight preview to the<br />
changeable future and conditions, as direct as possible-translated in interior design.</p>
<p>&nbsp;</p>
<p><strong>Cork Pavilion</strong></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/529fe71ae8e44ef5dc000074_vaulted-cork-pavillion-pedro-de-azambuja-varela-maria-jo-o-de-oliveira-emmanuel-novo_portada-1000x679.jpg"><img class="alignnone size-medium wp-image-702" alt="529fe71ae8e44ef5dc000074_vaulted-cork-pavillion-pedro-de-azambuja-varela-maria-jo-o-de-oliveira-emmanuel-novo_portada-1000x679" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/529fe71ae8e44ef5dc000074_vaulted-cork-pavillion-pedro-de-azambuja-varela-maria-jo-o-de-oliveira-emmanuel-novo_portada-1000x679-300x203.jpg" width="300" height="203" /></a></p>
<p><em>Date:</em> 2013<br />
<em>Location:</em> Portugal</p>
<p><em>web:</em> www.inhabitat.com/portuguese-students-build-gorgeous-vaulted-pavilion-entirely-from-cork/</p>
<p><em>Description:</em><br />
Students of the Advanced Program in Digital Architecture (CEAAD) in Portugal teamed up with the company<br />
AMORIM Isolamentos to create a beautiful pavilion entirely from cork. The Vaulted Cork Pavilion was<br />
parametrically designed, assembled out of hundreds of CNC-cut blocks, and then installed at the Concreta<br />
2013 building expo in Porto.</p>
<p>&nbsp;</p>
<p><strong>The 2012 Serpentine Pavilion</strong></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/big_385497_7623_IMG_48821.jpg"><img class="alignnone size-medium wp-image-703" alt="big_385497_7623_IMG_48821" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/big_385497_7623_IMG_48821-300x198.jpg" width="300" height="198" /></a></p>
<p><em>Designer:</em> Herzog &amp; de Meuron and Ai Weiwei<br />
<em>Date:</em> 2012<br />
<em>Location:</em> London</p>
<p><em>web:</em> www.dezeen.com/2012/05/08/serpentine-gallery-pavilion-2012-by-herzog-de-meuron-and-ai-weiwei/<br />
<em>Description:</em><br />
Eleven columns characterising each past Pavilion, and a twelfth column representing the current structure,<br />
support a floating platform roof 1,4 metres above ground. The Pavilion&#8217;s interior is clad in cork, a sustainable<br />
building material chosen for its unique qualities and to echo the excavated earth.</p>
<p>&nbsp;</p>
<p><strong>Chaise Lounge Chair</strong></p>
<p><a href="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Cortiça_02.jpg"><img class="alignnone size-medium wp-image-704" alt="Cortiça_02" src="http://legacy.iaacblog.com/maa2014-2015-digital-fabrication/files/2014/10/Cortiça_02-300x224.jpg" width="300" height="224" /></a></p>
<p><em>Designer:</em> DMFD Studio<br />
<em>Date:</em> 2012<br />
<em>Location:</em> USA</p>
<p><em>web:</em> www.danielmichalik.com/<br />
<em>Description:</em><br />
the sustainable lounge chair has a curved design mimicking a wave. The design is freestanding and balanced<br />
on the curve of its base. As the material is lightweight, the chair is both stable and bouyant, and can be<br />
rocked gently from side to side.</p>
<p>&nbsp;</p>
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