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Relational Logic T4
Form and Function Follow Climate
The construction industry leaves a significantly negative environmental footprint. It is one of the main contributors of greenhouse gases production, which leads to a global environmental disaster. How should we act to stop the ecosystem devastation before it will be too late? What our priority should be nowadays during the design process? Phillip Rahm answers this question with two simple words: sustainable development.
The idea of sustainability is to ensure that our present actions would not inhibit the opportunities of future generations. Sustainable architecture must take into account future forecasts. It should also take into consideration a limited capacity of the ecosystem and the necessity to maintain its functioning. Nowadays, an architect has to adjust his role to space and energy use manager. His goal is to reduce building’s non-renewable energy consumption. His focus is not only on the esthetical aspects of the building, but also on its guts and skin. In other words, his role is to optimize the functioning of the building as if it was a complex organism.
In the essay “Form and Function Follow Climate” Rahm presents designing priorities of the last century: Sulivan’s dictum “form follows function” – a credo of functionalism and “function follows form”- a doctrine of Luis Kahn, who treated architecture as a system of hierarchies and relations. Rahm opposes above statements to his designing philosophy in which form and function follow climate. His objective is to literately built space from functional determinations, to leave it interpretable, to permit architecture to be driven by climate, leading it to discover innovative forms and functions. The following quote is a thorough summary of his thesis:
“What we are working towards is a reversal of the traditional approach to the design in order to achieve a new spatial organization in which function and form can emerge spontaneously in response to climate”
Form and Function Follow Climate, Phillip Rahm
Case study house related to Rahm’s philosophy is called Never Never Land and was designed by Andres Jaque in 2007 on Ibiza. It corresponds perfectly with the idea of interpretable space, liberated from functional determinations. The main assumption of the project refers to sustainability philosophy. Never Never Land maintains the continuity of the valley’s natural base, its arboreal mass and the cycles of matter in the soil. Designing process was started by making accurate path analysis which took into account all existing arboreal mass. The building is fitted into the free space between the greenery, raised on piles, which minimizes trees removal and disturbance to the ground. In terms of relational logics that are given between advanced architecture and the environment, in this case we can explore the existence of positional relation. The form put between the trees stays in strong relation with them e.g. in terms of shading. In my opinion, there is also a disturb relation- Never Never Land shows how we can alter the relation with nature and its elements.
Is the Never Never Land a good example of advanced architecture? In my opinion, it is not. Architecture is always connected with other various fields. The more connections it has, the more advance it is. In Jaque’s design I cannot notice many other aspects than maintaining the continuity of the valley’s natural base. Moreover, his assumption is realized without consistency. The house is raised on piles to avoid disturbance on the ground and at the same time a huge concrete cube with tank is installed in the ground. Other drawback is a lack of eco construction materials. Sustainable house should not be made from tons of steel and glass. I think that advanced architecture is about complexity which is perfectly described by the following quote from the Metapolis Dictionary of Advance Architecture: “The complexity of a real object is measured by the wealth and variety of the parts that make it up and by the wealth and variety of the different states it can take on”.
In light of the above conclusions, the area of my personal research which I would like to explore deeper is a relation between function, form and climate in housing. This would help me to understand how these connections were established during the history, what events triggered those transformations, how these relations would look in the future and what would be their consequences.
Relational Logics – T6!
The text Primitive Future, written by Sou Fujimoto relates architecture to the importance of lighting and materials, and how they drastically affect the function and atmosphere within of spaces.
Fujimoto describes gradation as the “key to future architecture”. Believing that “between white and the black there is an infinite colour range” (Sou Fujimoto, Primitive Future, 2008, P. 130). He believes that the gradation between spaces are affected by internal and external environmental factors that can create an infinite number of functions and possibilities within a space.
The Wall House located in Lampa, Chile, designed by FAR (Frohn & Rojas), highlights the importance of Fujimoto’s theory of gradation though the use of materials and lighting, drastically affecting the structural layers and spaces in the building itself. Each layer offers a very specific structural, functional and atmospheric climate which contributes to the intelligent hierarchy of the building.
The hierarchy integrates gradation of the spaces within the building through the use of density in materials. Fujimoto describes the layers of gradation much like a cave, the mouth being the most public and brightest, while the darkest and most private spaces are in the rear of the cave. This similar context is connected to The Wall House.
Starting at mouth of the cave, the exterior layer of the building, “soft skin” is a fabric membrane that covers the building and filters out the solar energy hitting the structure, simultaneously allowing for plenty of views and natural light to flood the interior. The second layer consists of the “Milky Shell”, a folding translucent skin constructed of high-insulation polycarbonate panels, which filters the harsh Chilean sun, registers external shadows while simultaneously flooding the living and master bedroom with natural light. Travelling deeper into the cave, the third layer “Stacked Shelving” build from engineered wood, formwork panels and plywood allows for both public (kitchen and dining) to be revealed and private spaces (guest room) to be hidden within the structure allowing minimal natural lighting to enter each space through solids and voids. Continuing into the darkest part of the cave and the final layer “Concrete Cave” which consists of two introverted concrete bathrooms, the core of the structural system. Implying a cave-like atmosphere for the inner and most private domestic function of the building.
The Wall House uses lighting and material (density from thin to thick) to create a journey into the rear of the “cave”. Creating an ever-changing atmosphere in both public and private spaces the deeper you journey in to the house, highlighting the importance of gradation not only through lighting but also through materiality and circulation.
On a personal level, the gradation between public and private spaces through the use of light, material and circulation fascinates me. Depending on these factors, it allows an individual or a group to feel comfortable, safe and relaxed or the complete opposite. These internal and external environmental factors greatly affect each individual’s lifestyle, both physically and emotionally and understanding of local architecture itself.
RELATIONAL LOGICS
Relational Logics_Josep Alcover (click to download PDF)
The shape of energy T2
Case study: House N- Sou Fujimoto
Image fom Archidaily
Reading: SEAN LALLY- The Shape of Energy
Link- Weathers
For Sean Lally, the architect in the future have to focus on representing the data and the project would be – “strengthening and augmenting the characteristics and properties that both the surrounding environment and architecture share”. This reminds me of the Blur Building from Diller Scofidio. Architecture is about to design the ideal living model based on our ideology. If the form of these subtle energy play an important roll in our future living model, the aim of architect in the future would be how to amplify these data with the interaction of activities. I wonder would that be too immoderate to said that characterizing the shape of energy is the prior mission in the coming decade?
And for Sou Fujimoto, it shows a similar idea but in different approach. House N, same as EOS Series by Sean Lally, is a clear attempt of how the nature interact with our habitation. But the outcome is different, EOS Series is trying to represent the nature (energy), the achievement of this project can be visually seen, while in House N’s case is more conceptually challenging about the role of nature, the shape of the house might follow the rule of minimalism, but the idea of changing the layout of plan in urban life is powerful.
There are many debate of how form-finding are shallow, if form doesn’t have to follow the function, could it be formulate in an certain order itself ? (in Sean Lally’s case in energy)? The advanced architecture for me is to focus the morphology part but keep under close custody. Would be very interesting for me to have the chance to discuss this issue in the future research.