Atmosphere: Tangible or Intangible?

Foto by:  CSABA DIGLICS, June 15, 2012

Case Study: “View House” by: Diego Arraigada and Johnston Marklee

Reading: “The Architecture of Atmoshpere” by: Mark Wigley

 

Atmosphere: Tangible or Intangible?

Is an atmosphere something that architects can construct? Is it what comes just after the physical construction and surrounds the building? Is it some sensuous emission of intangible effects? All of this doubts come to my mind when reading “The Architecture of Atmosphere” by Mark Wigley, in which he affirms that the goal of architects to control impalpable elements is a never-ending attempt. As architects we can envision projects that take into account and analyze most of the elements that are in the environment, to connect the changing climates with the material object, creating a relation between the atmosphere and the building. However Wigley expresses that trying to control the atmosphere through architecture is just a fragile illusion.

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Relational Logics – T1

Case study:                    Studio House. F451 Arqu itectura

Critical reading:         Bernard Rudofsky, “Conditioned Outdoor Room”

RELATIONAL LOGIC

The “Studio House” built in Gijon, Spain, is composed of four units which interrelate and form a unified construction integrated with its surrounding. The architects took into consideration two main elements during the design process; the energy efficiency of the project and its integration with nature. The Guest house emerges from the ground and then branches into the house and the atelier which are placed in a way to ensure a double orientation, ventilation and lighting. The fourth unit is the garage. The relationship of the Studio house with the ground varies according to the typology of the plan, which is a mixture of the modern house and the industrial warehouse. This relationship creates spaces such as the center covered exterior space which serves as a climate regulator.

In the “Conditioned Outdoor Room”, the author starts by showing how people want to control nature and the climate as much as they can, even if it means living constantly indoors or underground. However he believes they failed in this attempt since their control is restricted to the indoors.  According to Rudofsky, people need the outdoors since it is not only the air we breathe but it also is part of our mood, our skin color, our happiness etc. That is why he says we need gardens, the domestic gardens of the past which where habitable and had privacy, not the contemporary gardens which remain unoccupied. For people need to feel they are in their living room, but at the same time enjoy the sun, wind, and smell of nature. People need the outdoor living room; the garden. Rudofsky talks about Adam and mentions the wall which is a very important invention yet no one gave it enough credit. He also mentions Guinea and Pompeii, places where nature and climate are seen as the most suitable.

In both texts we notice an environmental relationship since both include nature; in the “Studio House”, the roof is green and the design is based on energy efficiency and in the “Conditioned Outdoor Room” the main idea is about the garden and how to appreciate the natural light, and wind. Positional Relation is evident in the way the walls are placed in a clearly specific way creating the different spaces. In both texts we notice the importance of nature and how humans should contribute to it; like a bird nest is part of nature, the houses we live in are part of nature as well and design decisions must be made while getting closer to nature.

The path that I would choose to research would definitely include the interaction between architecture and nature, adding the new advanced language of architecture including parametricism. As we may observe, parametric is mostly site, sun, vegetation, rain and nature related, it gives us precise information which we are able to use more freely and correctly in our designs. Having an environmental friendly construction does not mean it is on the expense of the design, on the contrary it can bring a lot more to its inhabitants as Rudofsky implied; being close to nature is not just breathing fresh air, it is also our mood, our skin color, and our energy, so we should make the most out of it.

 

stone-house- vietnam - Architects: vo trong nghia

Image: Stone House in Vietnam

Architects: vo trong nghia

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Relational Logics- T3

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photo credit: http://www.detail-online.com/daily

theory paper 1

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RELATIONAL LOGICS_T3

 

View House by Gustavo Frittegotto.

Case study: View House, by Diego Arraigada and Johnston Marklee

Text: The architecture of atmosphere, by Mark Wigley

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Relational Logics

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Case Study : STUDIOHOUSE-F451

Text: The Conditioned Outdoor Room-BERNARD RUDOFSKY

The contemporary world, perpetually urbanizing and transforming as it is, calls for a holistic approach to the pertinent issue of the relationship between the natural and the built environment by architects and urban planners. No one can deny that the recent trends and developments in technology have resulted in complex relational logics that connect nature with the urban context.

Studio house by F451arquitectura aims to explore the connections between architecture and landscape, particularly by merging the site’s landscape with architectural design, forming positional, metaphorical and environmental relations between them. The landscape is integrated with the house, as it’s different volumes unfold from the sloped topography in different ways; alignment with the terrain in the middle, emerging from it in the volume of the studio and detaching from it in the side of the house. Nevertheless, this integration appears to be investigated in the design only in a spatial/visual manner rather than a functional one (e.g. absence of patio). With reference to the metaphorical relational logic, Studio house develops a hybrid design that is based on the combination of the modern house typology and the industrial house typology, which is accomplished by spatially distributing the different functions that it accommodates (house, studio, guest house, garage e.tc.) in autonomous, but interrelated volumes. In addition to this, the design implements energy efficiency solutions, through  a green roofed corridor, which provides the structure with  thermal insulation to the structure, as well as with double orientation, lighting and ventilation to  all featured spaces­.

The relational logics formed between the natural and artificial environment are also evident in The Conditioned Outdoor Room by Bernard Rudofsky. In this text the author underlines the dangerous trend of disconnecting the living environment from nature. People have always attempted to conquer natural phenomena, by creating a climate controlled inner environment that is almost unattached to the natural environment. Using various examples of the architectural elements of the garden  and in analogy to the Pompeii ruins, the author indicates the urgent need to shift the architectural and climatic focus on the outdoor environment. Thus, the courtyard archetype calls for a revision in the contemporary urban environment.

As a future research, I would be highly interested in researching the new relational logics that are established through advanced architecture, as well as exploring these in a broader scale, focusing on the notion of glocal, a new term that refers to the integration of the global and local environmental aspects in architecture.

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