Tag Archives: iaac

DIGITAL LOGICS – “On Growth and Form”

 “On Growth and Form” by D’Arcy Wentworth Thomson In Thomson’s book “On Growth and Form”, he looks at the way natural living things, such as vegetation and animals, and why they take the form they do by growing and changing. While at first the forms are described with words, they later are represented with mathematical and graphical [...]

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THE CLOUD AND THE NET

“Upon entering the fog mass, visual and acoustic references is erased, leaving only an optical white-out and the white-noise of pulsing nozzles. Blur is an anti-spectacle. Contrary to immersive environments that strive for high-definition visual fidelity with ever-greater technical virtuosity, Blur is decidedly low-definition: there is nothing to see but our dependence on vision itself.” [...]

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Digital Logics in Advanced Architecture

Maybe a lot of the neurons in our brains are not just capable but, if you like, motivated to be more adventurous, more exploratory or risky in the way they comport themselves, in the way they live their lives. They’re struggling amongst themselves with each other for influence, just for staying alive, and there’s competition [...]

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Relational Logics (T5)

Never Never land (Andres Jaque Architects): The Never land house is located in Ibiza island in Spain. The design of the house and landscape was produced taking into consideration the natural surroundings of the island, the European building standards and characteristics, the fact that Ibiza is a party city. The elevations of the building were [...]

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Relation Logics / T5

Photo credits:http://www.archdaily.com/38196/never-never-land-house-andres-jaque-arquitectos/ Case Study_Never Never Land House /Andres Jaque Architects Reading_Form and Function Follow Climate/Philippe Rahma Never Never Land House  was built on a 1300 square meter allotment in the Cala Vadella Valley of Ibiza. Home explores the roll played by architecture, as a practice of technological restitution of social relations, combination of intimate sphere [...]

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