Everyday life at the Institute for advanced architecture of Catalonia
ACTAR-D POP UP BOOK STORE & DISCOUNTS – Architecture, Art & Design
Thursday 19th of February 2015 - 21.00 @IAAC Main Hall
After next Thursday’s Winter Lecture with Alfredo Brillembourg, ACTAR-D representatives will be setting up a Pop-up bookshop in the main hall of IAAC, offering Students, Faculty and Architects a 10% Discounts on Architecture, Art and Design books.
Andrew Watts, along with Iker Flores, from Newtecnic were our guest speakers tonight as part of the IAAC Winter Lecture Series, taking us through their professional experiences of facade system design.
Newtecnic is an office specialised in the design of facade systems for high profile projects around the world. The office is involved at different design stages; from concept to tender, to construction documentation such as fabrication drawings, installation drawings and logistics.
With the recent increase in popularity of new digital tools, architectural practises are starting to propose more and more highly geometrically complex or fully free form projects that cannot be achieved by the current generation of mass produced facade systems.
PLUJA DE LLUM // Luminescent Rain
The intimacy of the existing courtyard, located at Carrer de Santa Llúcia, 1, its distinctive elements, among which the lovers palm tree and fountain, as well as the well-known tale of the Saint Eulalia, together fed the concept of Pluja de Llum.
The concept of the installation follows a mixture of the elements of the tale of Santa Eulalia, in particular her tears, transforming these into a conceptual rain. A luminescent rain, a rain of light, emanating from one of the protagonists of the courtyard, the palm tree.
When entering the courtyard, the visitor is not fully made aware of the scenography that the courtyard beholds. The internal patio area is seamed off, leaving the visitor to meander through the porch of the courtyard, and being able to perceive, through a series of small holes in the sealing of the interior patio, or snapshots, what is in fact happening: the luminescent rain falling from the central palm.
The visitor is then called upon reach up to the superior level of the patio, through a sound interaction system, defining the intensity of the light, and finally opening them to the infinite rain of the courtyard. The visitors look down upon the luminescent rain, into an apparently infinite well – reminiscing the existing fountain -, the courtyard itself, transformed through the implementation of a reflective surface – water flooding the ground floor of the patio – making the patio finally seem never ending through the infinite reflection, as the rain of light itself.
Hence Pluja de Llum – or luminescent rain – proposes itself as the dialogue between the intimacy of the existing courtyard, as the tears of a young girl, and the proposed infinity that emerges, reflecting the perseverance of the tale of Santa Eulalia, and finally the festivities invoked by the BCN Llum 2015 festival.
Tonight we had the pleasure of hosting Jose Luis de Vicente as part of the IAAC Winter Lecture Series 2015. Jose Luis is a curator and researcher working on digital culture, innovation and new media art. Currently he is the curator of Sónar+D, the Creative Technologies and New Media area of Barcelona’s acclaimed Sónar Festival, as well as a curator at FutureEverything Festival, Manchester. He runs the Visualizar program on Data Culture at Medialab Prado, Madrid, and is a founder of ZZZINC,a cultural consultancy based in Barcelona. He has curated multiple conferences, symposiums and exhibitions.
During his conference Jose Luis took us through his thoughts regarding the possibility of reading culture in the data society, showing us some of his works, and in particular his latest exhibition project, “Big Bang Data” (Barcelona CCCB 2014 / Fundación Telefónica Madrid 2015). For Jose Luis data is one of the essential building blocks of society today. it is produced by our everyday activity and by the operation of all systems in the modern world: from transport to shipping to the vast machine of the technologies of capitalism. Data is also produced in the social space and a form of representation of how we live and think today. This presentation is a journey through stories and narratives of data, and the way we tell stories about how it is shaping the world.
Today we had the pleasure of hosting Dave Pigram as part of the IAAC Winter Lecture Series 2015, giving a nice Aussie closing to our Australia Day Barbecue!
Dave started with his experience in more general terms on experimenting in design and fabrication, then moving on to more specific examples of this practice. In particular Gaudi’s Puffy Jacket, an experiment that had an initial phase in IAAC 2 years ago, as part of the Master in Advanced Architecture 2012/13 Negotiated Formations Workshop, run by Dave and his professional Partner Iain Maxwell (Supermanoeuvre). Gaudi’s Puffy jacket is a thin-shell precast pavilion, a playful tribute to the seminal research on form-finding conducted by Antonio Gaudi. This experiment was then further developed by Dave and his students at UTS in Sydney, proposing a more complex design, an applying the material learnings of the workshop developed in IAAC.
Dave then moved on to explain the HiLo project, currently being developed by a Core Design and Research Team consists of four partners, with the two academic partners residing at the Institute of Technology in Architecture (ITA), ETH Zurich: Professorship of Architecture and Structures (BRG) – structural innovation; Professorship of Architecture and Building Systems (A/S) – building systems innovation; Zwarts & Jansma Architects (ZJA), Amsterdam, Netherlands – construction innovation; and of course, supermanoeuvre. One of the A/S team members being a IAAC Alumni, Mortiz Begle. HiLo is a research & innovation unit in the domains of lightweight concrete construction and smart, adaptive building systems, planned as a duplex penthouse guest apartment for the NEST building on the Empa campus.
Finally, Dave closed with the Utzon 40 project, a pavilion developed for the 2014 Utzon Symposium held at the Sydney Opera House in March. The Fourth International Utzon Symposium extended previous research on Utzon’s oeuvre and asked the question,‘What would Utzon do now?’. Utzon 4o, in collaboration with Aarhus University in Denmark, tested a design and construction method that combines two distinct material systems with fabrication aware form-finding and file-to-factory workflows. The method enables the fluent creation of complex materially efficient structures comprising high populations of geometrically unique parts. The first material system employs a novel rotated joint design to allow the structural tuning of timber frame elements fabricated from multi-axis machined plywood sheet stock.
