Izaskun Chinchilla // Organic Growth

Tonight we had the pleasure of hosting Izaskun Chinchilla, IAAC Post-graduate Master Alumni 2003-2007, as part of the IAAC Spring Lecture Series.

Izaskun discussed the notion of ‘biophilia’ that has been recently addressed by several authors in the field of architectural design. Biophilic spaces and objects, are supposed to connect with natural preferences of humans, determined by their physiology. These preferences include natural light, vegetation, a particular rage of materials, specific color arrangements and spatial conditions reminding natural landscapes. A more sophisticated definition of biophilia is deeply informed by perception, psychology or social studies.

The purpose of this lecture was, nevertheless, exploring the paradoxes of biophilia. Though biophilia might be supposed to be sympathetic with ecological thinking, it might in fact collapse with ecological dictates. A real independence from fuel is now, for example, only possible in dense, continuous and mixed used cities which look quite grey and artificial. Cultural studies, gender theory, social clues or architecture history might also find the recognition of universal human preferences contradictory.

The lecture explored an intellectual perspective in which burdening with problems, and not denying them, is precisely what makes knowledge emerge. The lecture didn’t want to contribute to peaceful architectural paradigms but, precisely, build up a well defined and significant controversy.

Izaskun Chinchilla Architects recently won the City of Dreams competition in NY with a proposition titled Organic Growth. They will build a pavilion in Governors Island this summer. The pavilion will be fully built out of recycled materials (bicycle wheels, photographer tripods and umbrellas among others) and put together by volunteers. Izaskun used the will reflect on the design for this pavilion as a case study for an application of biophilic principles.

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Thursday the 23rd of April // Izaskun Chinchilla // Organic Growth

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Li Xiangning // Building Shanghai: Transformation of a Modern City

Tonight we had the pleasure of hosting Li Xiangning, as part of the IAAC Spring Lecture Series 2015, discussing the transformation of Shanghai’s modern city, towards building its current contemporary configuration.

Li Xiangning is full professor in history, theory and criticism at Tongji University College of Architecture and Urban Planning. He is also Assistant Dean and Director of International Programs, and guest editor of Time + Architecture, a leading architectural magazines in China. He has published widely on contemporary architecture and urbanism in China and he was a visiting scholar at MIT. In 2009 Li Xiangning was the UFI fellow at MAK Center of Art and Architecture in Los Angeles, and Erasmus Mundus visiting professor at TU Darmstadt. He has lectured in universities and institutes including Harvard University, Princeton University, University of Southern California, and Canadian Center for Architecture. He was appointed as director for Shanghai Contemporary Architecture Culture Center (Museum) in 2010 and has recently been co-curator of the 2013 Shenzhen Biennale.

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Tuesday the 21st of April // Li Xiangning // Building Shanghai: Transformation of a Modern City

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Pavilion of Innovation 2015 // Beyond Building Barcelona // Workshop

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COMPUTATIONAL COUTURE

Clothes can be considered as the very first form of mediators between body, space and events, condensing in their aesthetics not only the evolution of its relation to the physical functions of the body (movement, protection, temperature regulation) but also the evolution of cultural expression precisely by exceeding the purely indexical performative relations, designing not only for the needs but for the desires.

Computational couture looks at the creation of exclusive custom-fitted clothing (typical of haute couture) through the lens of a systemic approach, extending the sartorial techniques with 3D modeling and computation-based approaches developed in Rhinoceros and the visual programming environment Grasshopper.
Aim of the workshop is to exert, infuse and expand the sartorial sensibilities to body proportions and dress making into an algorithmic approach that loops through design and fabrication by means of laser cutting and 3d printing for the design and production of a garment.
Participants will be divided in teams focusing on specific aspects of the garment related to the production technique (laser cutting or 3D printing).

FEE FOR PARTICIPANTS

Early bird (until 4/5): 250 €
Full fee (from 5/5 until 15/5): 350 €

The fee includes materials and fabrication. Plane tickets and accommodation are not  included in the fee.

REGISTRATION (until 15/5/2015)

For registration please e-mail at :
beyond@iaac.net

MORE INFO HERE

 

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Farshid Moussavi // The Function of Style

Tonight, as part of the Spring Lecture series 2015, we had the pleasure of hosting Farshid Moussavi who discussed the Function of Style, title of her last book, and part of the Function triolgy: ‘The Function of Ornament’, ‘The Function of Forms’, and ‘the Function of Style’ based on her research and teaching at Harvard.

What is the function of style today? If the 1970s were defined by Postmodernism and the 1980s by Deconstruction, how do we characterize the architecture of the 1990s to the present? Some built forms transmit affects of curvilinearity, others of crystallinity; some transmit multiplicity, others unity; some transmit cellularity, others openness; some transmit dematerialization, others weight. Does this immense diversity reflect a lack of common purpose? In this book, acclaimed architect and theorist Farshid Moussavi argues that this diversity should not be mistaken for an eclecticism which is a product of external forces.

The Function of Style presents the architectural landscape as an intricate web in which individual buildings are the product of ideas which have been appropriated from other buildings designed for the different activities of everyday life, to produce singular buildings which are related to one another but also different.

Moussavi argues that by embracing everyday life as a raw material architects can change the conventions of how buildings are assembled, to ground the aesthetic experience of the buildings in the micro-politics of the everyday.

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Tuesday 14th of April // Farshid Moussavi // The Function of Style

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